Pd-list April 2019

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47 participants
56 discussions

[PD-announce] CfP: ICAD 2019 Concert, Installations, and Demos
by Paul Vickers 04 Apr '19

04 Apr '19

ICAD 2019 — Call for Submission of Concert pieces and Installations/Demos 25th International Conference on Auditory Display Northumbria University, Newcastle-upon-Tyne, UK 23–27 June, 2019 https://icad2019.icad.org https://twitter.com/ICAD2019 Theme/Special Focus of ICAD 2019 is "Digital Living: Sonification for Everyday Life". Digital technology and artificial intelligence are becoming embedded in the objects all around us, from consumer products to the built environment. Everyday life happens where People, Technology, and Place intersect. Our activities and movements are increasingly sensed, digitised and tracked. Of course, the data generated by modern life is a hugely important resource not just for companies who use it for commercial purposes, but it can also be harnessed for the benefit of the individuals it concerns. Sonification research that has hit the news headlines in recent times has often been related to big science done at large publicly funded labs with little impact on the day-to-day lives of people. At ICAD 2019 we want to explore how auditory display technologies and techniques may be used to enhance our everyday lives. From giving people access to what’s going on inside their own bodies, to the human concerns of living in a modern networked and technological city, the range of opportunities for auditory display is wide. CONCERT AND INSTALLATIONS The ICAD 2019 committee is seeking submissions to the ICAD 2019 Sonification Concert and proposals for Sonification Installations/Demos that will contribute to knowledge of how sonification can support everyday life. For details on topics of interest, proposal format, submission instructions, and additional conference information please visit https://icad2019.icad.org/call-for-participation IMPORTANT DATES: Thursday 18th April 2019 — Deadline for submissions to the Concert and Installations/Demos tracks. Concert Chairs: Bennett Hogg with John Bowers, Tim Shaw, and David Worrall icad2019concert(a)icad.org Conference Chairs and Installation Chairs: Paul Vickers and Matti Gröhn icad2019chairs(a)icad.org icad2019installations(a)icad.org ABOUT ICAD First held in 1992, ICAD is a highly interdisciplinary conference with relevance to researchers, practitioners, artists, and graduate students working with sound to convey and explore information. The conference is unique in its specific focus on auditory displays and the range of interdisciplinary issues related to their use. Like its predecessors, ICAD 2019 will be a single-track conference, open to all, with no membership or affiliation requirements. -- Dr Paul Vickers BSc PhD CEng MIEE FHEA Co-chair of ICAD 2019: https://icad2019.icad.org This message is intended solely for the addressee and may contain confidential and/or legally privileged information. Any use, disclosure or reproduction without the sender’s explicit consent is unauthorised and may be unlawful. If you have received this message in error, please notify Northumbria University immediately and permanently delete it. Any views or opinions expressed in this message are solely those of the author and do not necessarily represent those of the University. Northumbria University email is provided by Microsoft Office365 and is hosted within the EEA, although some information may be replicated globally for backup purposes. The University cannot guarantee that this message or any attachment is virus free or has not been intercepted and/or amended. _______________________________________________ Pd-announce mailing list Pd-announce(a)lists.iem.at https://lists.puredata.info/listinfo/pd-announce

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KIOSK plugin (windows)
by oliver 03 Apr '19

03 Apr '19

sorry for messing up another thread - wasn't aware of this ... so here i go again: i just tried the KIOSK plugin for the first time. while generally working, i am not able to change it's settings with the config file "kiosk.cfg" the funny thing is, that some patches seem to reflect the config file's settings (i.e. the "WindowTitle" or the "ShowMenu" flag), while others completely ignore everything but the "HideMain" switch ! i can't seem to reproduce which patches work correctly and which do not. it seems that patches that take a longer startup time (to load audio or video files) seem more likely to fail, but i am really not sure. also to ditch the "kiosk.cfg" file completely and to set the flags directly in the "kiosk-plugin.tcl" file doesn't change the random behaviour i described above. the plugin version is 0.2 and displays a "loaded" message in the console. oh, yes: again it's PD 0.49 (but this also happens with 0.48) and windows 7/64bit thanks for any hints oliver -- \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ /////////////// http://pendler.klingt.org ////////////// \\\\\\\\\\\\\\\ http://oliver.klingt.org \\\\\\\\\\\\\\ ////////////////////////////////////////////////////////

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[PD-announce] Job offer at IRCAM - Paris
by Pierre Guillot 02 Apr '19

02 Apr '19

*C++ developer of interactive audio applications using the JUCE framework (W/M)* *Fixed-term contract of 6 months starting from May 2019, possibility of transformation into a permanent position* *INTRODUCTION TO IRCAM:* IRCAM is a non-profit organization that is associated to the Centre Pompidou (Centre national d’art et de culture Georges Pompidou). Its missions comprise research, production, and education related to contemporary music and its relation to science and technology. The department for Innovation and Means for Research (IMR) handles, besides other topics, the various aspects of tech transfer of the research results produced in the research teams. IRCAM is located in the centre of Paris near the Centre Pompidou, at 1, Place Igor Stravinsky 75004 Paris. *POSITION DESCRIPTION:* You will integrate the IMR department and will be responsible for the conceptual design and development of user interfaces and application layers for AudioSculpt (version 4), a standalone audio application for sound visualisation, analysis and transformation built with the C++ JUCE framework. The different variants, will be designed with the goal to adapt to different segments of the professional audio production market, and will target Mac OS and Windows environments. The development activities will be performed under the responsibility of the head of the Tech transfer service (part of IMR), and in close collaboration with the research teams that are contributing the signal processing algorithms, and the commercial and industrial partners. Your responsibilities will cover all aspects of building and delivering commercial applications, starting with software architecture, and interface design, development of cross-platform applications, packaging, testing, and communication with end users at IRCAM and in the IRCAM Forum. *Links to related software:* http://forumnet.ircam.fr/fr/produit/audiosculpt/ <http://forumnet.ircam.fr/fr/produit/audiosculpt/> https://www.plugivery.com/products/p1680-TS/ *REQUIRED EXPERIENCES ET SKILLS:* - You are a C ++ developer / designer experienced in designing interactive audio applications with the JUCE framework with a strong interest in music and sound applications. - You have worked on one or more major projects involving the creation of a multimodal and interactive application (ideally on an already commercialized project). - You have a good knowledge of software design patterns. - Sensitive to visual creation and human-machine interactions, you master the graphic interface design (UI/UX) and are able to realize prototypes and components quickly from a graphic chart and/or simple specifications. - You have a good knowledge of the JUCE framework (ideally you have already developed several projects with this framework). - You are familiar with editing and sound creation tools such as ProTools, Ableton Live, MaxMSP, and/or similar tools. - You have excellent knowledge of C ++. - You produce robust, reusable, and portable code. - You have demonstrated rigor, autonomy, and reliability, listening and relational abilities in your professional activity. *SALARY:* According to education and professional experience. *APPLICATIONS:* Deadline for application: April, 25th, 2019 Please send an application letter together with your resume and any suitable information addressing the above issues preferably by email to: vinet_at_ircam.fr, roebel_at_ircam_dot_fr and rousseau_at_ircam_dot_fr, or via postal mail to Hugues Vinet, IRCAM, 1 Place Stravinsky, 75004 Paris. _______________________________________________ Pd-announce mailing list Pd-announce(a)lists.iem.at https://lists.puredata.info/listinfo/pd-announce

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Mute certain partials (sigmund~)?
by Peter P. 02 Apr '19

02 Apr '19

I am trying to mute every even partial of an integer series of partials from a harmonic oboe sound tracked with [sigmund~]. I find that this is non-trivial as it is hard to determine -the order of increasing frequencies (sigmund orders them by strength) -which partial is the lowest for a harmonic sound. Does anyone have a good idea how this can be done either in realtime or offline (via tables perhaps)? Thanks! P

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trying to get wg acre library to init - iemlib declaration
by Scott R. Looney 01 Apr '19

01 Apr '19

hey folks i'm trying to get the IEM waveguide library examples to load and having a bit of trouble. i'm on a Mac and i've installed the various dependencies (iemlib,zexy,iemmatrix) via Deken, but it seems like the initializing fails as objects like [lp1~] and [hp1~] aren't recognized. so i think the [declare] objects might need tweaking. what i found a bit confusing is there was no iemlib1 or iemlib2, just iemlib when i installed it via Deken. the iemlib init in the WG Demos is [declare -stdpath iemlib], so if Deken installed iemlib to stdpath it seems the demo doesn't work. i also checked iemlib library separately and it seems it is having issues as well and can't find things like [init] for example. i checked the search path (Users/scottlooney/Documents/PD/Externals is the only entry) and that window is set to use standard paths. guess this means that Deken doesn't solve path problems? should i be adding other paths? i'm not entirely clear on how exactly [declare] works, as i think that's likely to be the issue. anyway assistance appreciated! best, scott

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[PD-announce] CfP Audio Mostly 2019: A Journey in Sound, 18-20th September 2019, University of Nottingham, UK
by Hug Daniel 01 Apr '19

01 Apr '19

(Apologies for cross-postings, please re-distribute at will) _______________________________________________________________________ Audio Mostly 2019: A Journey in Sound 18th to 20th September 2019 University of Nottingham, Nottingham, UK www.audiomostly.com<http://www.audiomostly.com> Facebook: https://www.facebook.com/AudioMostly/ Twitter: https://twitter.com/AudioMostly @AudioMostly _______________________________________________________________________ AUDIO MOSTLY 2019 Audio Mostly is an audio focused interdisciplinary conference on design, interacting with sound and technology, which embraces applied theory and practice-based research. It is an annual conference which brings together thinkers and doers from academia and industry who share an interest in sonic interaction and the use of audio for interface design. This remit covers product design, auditory displays, computer games and virtual environments, new digital musical instruments, educational applications and workplace tools, as well as the topics listed below. It further includes fields such as the psychology of sound and music, cultural studies, systems engineering, and everything in between in which sonic Human-Computer Interaction plays a role. Audio Mostly 2019 will be an inclusive event for all, bringing together a whole range of people and communities. It will be a lively and sociable mix of oral and poster paper presentations, demos, and workshops. We welcome submissions from industry, academia and interested parties in each of these categories. As in previous years, the Audio Mostly 2019 proceedings will be published by the Association for Computing Machinery (ACM) (to be confirmed) and made available through their digital library. Regular papers, posters and demos/installations will be double-blind peer reviewed. It is envisaged that there will be a special issue of a journal relating to the conference, as with previous years. CONFERENCE THEME - A Journey in Sound The special theme for the conference this year is A Journey in Sound and we would particularly welcome papers relating to this theme for at the conference this year. We often have different experiences of sound and music though out our lives, there are sounds that remind us of different places and people. We also have different playlists and songs that take us back and remind us of certain times and events. Throughout our lives we are interacting with sounds and music, we are on a journey in sound. This year the theme of the conference is open to interpretation, but people might think about the following, in relation to the theme: * Sonic aspects of digital stories, documentaries and archives * The soundtrack to our lives. Archiving and sharing sound * The emotional potential of a sound, how might this be used to support interaction * The different uses of music across different settings * The re-use of recollections and memories by composers & sound designers * The development of musical tools that can let us express our experiences over time * Socio-technical uses of AI create highly personalised soundtracks that respond to one's context * Adaptive music use in journeys, time and the creative use of data Audio Mostly 2019 encourages the submission of regular papers (oral/poster presentation) addressing such questions and others related to the conference theme and the topics presented below. LIST OF TOPICS The Audio Mostly conference series is interested in sound Interaction Design & Human-Computer Interaction (HCI) in general. The conference provides a space to reflect on the role of sound/music in our lives and how to understand, develop and design systems which relate to sound and music - we are particularly interested in this from a broad HCI perspective. We encourage original regular papers (oral/poster presentation) addressing the conference theme or other topics from the list provided below. We welcome multidisciplinary approaches involving fields such as music informatics, information and communication technologies, sound design, music performance, visualisation, composition, perception/cognition and aesthetics. * Accessibility * Aesthetics * Affective computing applied to sound/music * AI, HCI and Music * Acoustics and Psychoacoustics * Auditory display and sonification * Augmented and virtual reality with or for sound and music * Computational musicology * Critical approaches to interaction, design and sound * Digital augmentation (e.g. musical instruments, stage, studio, audiences, performers, objects) * Digital music libraries * Ethnographic studies * Game audio and music * Gestural interaction with sound or music * Immersive and spatial audio * Interactive sonic arts and artworks * Intelligent music tutoring systems * Interfaces for audio engineering and post-production * Interfaces or synthesis models for sound design * Live performing arts * Music information retrieval & Interaction * Musical Human-Computer Interaction * New methods for the evaluation of user experiences of sound and music * Participatory and co-design methodologies with or for audio * Philosophical or sociological reflections on Audio Mostly related topics * Psychology, cognition, perception * Semantic web music technologies * Spatial audio, interaction design and ambisonics * Sonic interaction design * Sound and image interaction: from production to perception * Sound and soundscape studies SUBMISSION INSTRUCTIONS Regular paper, poster, demo and workshop contributions must be submitted via the EasyChair Audio Mostly 2019 submission portal (https://easychair.org/conferences/?conf=am2019). All Audio Mostly 2018 papers should be submitted using the 2017 ACM Master Article Template specified below for your contribution. Authors should use the ACM Computing Classification System (CCS) to provide the proper indexing information in their papers (see instructions on the 2017 ACM Master Article Template page). All papers must be submitted in the PDF format. IMPORTANT DATES (Papers & Posters) Deadline for Submissions: 24th May 2019 Notification of Acceptance: 14th June 2019 Camera-ready submissions: 9th August 2019 Early Registration Deadline: 10th August 2019 Conference: 18 - 20 September 2019 Call for Workshops IMPORTANT DATES (Workshops) Deadline for Submissions: 24th May 2019 Notification of Acceptance: 14th June 2019 Workshops: 17th September 2019 Call for Demos IMPORTANT DATES (Demos & Installations) Deadline for Submissions: 1st July 2019 Notification of Acceptance: 15th July 2019 Submission Deadline: 22nd July 2019 Submission Site https://easychair.org/conferences/?conf=am2019 LOCATION This year, the conference is hosted by the Mixed Reality Lab (in the School of Computer Science) and the Department of Music at the University of Nottingham - The conference will be located on the University Park. The University Park is The University of Nottingham's largest campus at 300 acres. Part of the University since 1929, the campus is widely regarded as one of the largest and most attractive in the country. Set in extensive greenery and around a lake, University Park is the focus of life for students, staff and visitors. Conveniently located only two miles from the city centre. The campus is well connected, the nearest airport is the East Midlands Airport, local train stations are Nottingham, and Beeston. - - Zürcher Hochschule der Künste Zurich University of the Arts - Dr. Daniel Hug (Dipl.-Des.) Co-Director Master Sound Design __ Toni-Areal, Pfingstweidstrasse 96 P.O. Box, CH-8031 Zurich - Phone +41 78 768 59 49 daniel.hug(a)zhdk.ch<mailto:daniel.hug@zhdk.ch> - www.zhdk.ch/sounddesign<http://www.zhdk.ch/sounddesign> - _______________________________________________ Pd-announce mailing list Pd-announce(a)lists.iem.at https://lists.puredata.info/listinfo/pd-announce

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Pd-list April 2019