Pd-list June 2012

pd-list@lists.iem.at

107 participants
113 discussions

[PD-announce] [Call for Proposals] Korean Electro-Acoustic Music Society's 2012 Annual Conference & its Computer Music Journal, Emille
by PyoungRyang Ko 10 Jun '12

10 Jun '12

Dear PD-Forum members, I would be very grateful to you if you could circulate the following announcement to people who might be interested. Please visit the following website for further information: http://www.keams.org/emille/ Sincerely yours, prko --------------------------------------------------------------------------------------------------------------------------------------------------------- The Korean Electro-Acoustic Music Society's 2012 Annual Conference & its Computer Music Journal, Emille, present: Call for Proposals The Korean Electro-Acoustic Music Society (KEAMS) is pleased to announce a call for proposals for the 2012 KEAMS annual Conference and its journal Emille. KEAMS was formed to promote active research and discussion on electro-acoustic and computer music, and will hold the next year's conference during the Seoul International Computer Music Festival (SICMF 2012: http://www.computermusic.or.kr/main_en/) from October 23rd to 27th, 2012. Selected papers from the conference will be published in Emille Vol. 10(December, 2012). If you want your paper or workshop idea to be considered for the 2012 KEAMS Conference, please send an abstract or proposal (maximum of 2,000-characters including spaces) and curriculum vitae as PDF documents to <emille(a)keams.org>. Category of Topics For the KEAMS conference, the following topics are encouraged: a) Creative Encounters between Music and Science b) Multidisciplinary or Interdisciplinary Research (co-authors acceptable) c) Systematic Musicology (Computational Musicology, Computational Music Theory) d) Analysis of Electronic and Computer-based Music e) Sound Synthesis f) Music Psychology g) Instrumentation h) Development of electronically-extended Musical Instruments i) Music Software Engineering j) Artificial Musical Intelligence k) Computer-aided Composition/Analysis l) Automatic Composition etc. Important Dates - Deadline for Proposal Submission: June 25, 2012 - Notification of Acceptance of the Proposal: July 10, 2012 - Deadline for Paper Submission before Conference: September 30, 2012 - Deadline for Final Paper Submission: November 15, 2012 SESSION FORMATS Each session will consist of up to four presentations. Each paper will be presented in person for about 25 minutes followed by ca. 5 minutes of discussion. If you want to give a keynote presentation, you will begiven about 50 minutes to present, followed by ca. 10 minutes of discussion. Please include the wordkeynote in your submission if you are planning on applying for a keynote presentation. The length of eachworkshop will be about 90 minutes. Video conferencing over the Internet is also available. Your ideas are critical in making the conference and Emille enriching, important and substantial. We look forward to reviewing everyone's entry. As demonstrated by the following examples, participants may submit more than two proposals, making a whole presentation session or an additional workshop session: Example 1: Presentation Session Plan * Session Sample topic: Spatialization (4 x 30 min. = 25 min. presentation + 5 min. Q&A) Presentation 1 Spatialization methods using less than 8 channels Presentation 2 An overview of the design of a Loudspeaker Orchestra Presentation 3 Applications of Ambisonics and Spherical Acoustics Presentation 4 A proposal of multi-3D audio reproduction system for the multi-functional concert hall * You may submit several proposals without a session plan. Example 2: Workshop Session Plan ** Session Sample topic: Using controllers for composition and acoustic installations (3 X 90 min.) Workshop 1 Controllers using various sensors and Arduino Workshop 2 Use of Smartphones and Tablet PCs as controllers Workshop 3 Inter-application uses of Controllers (Using Processing to Control Csound, MaxMSP, PD and SuperCollider) ** You may submit a single proposal for a workshop. You also may submit multiple proposals for individual workshops without a session plan. Fees Thanks to funding from the Korean Arts Council, the registration fee and publication fee will be waived. It is also possible for students and non-experts in the fields mentioned above to submit proposals for the conference and the journal, Emille. All proposals will be screened by the program committee and selected solely based on the quality of the research and topic. Your ideas are critical in making the conference and Emille enriching, important and substantial. We look forward to reviewing everyone's entry. Emille, the Journal of the Korean Electro-Acoustic Music Society http://www.keams.org/emille/ Editorial Information Editor in Chief Lymn, Young-Mee Lecturer of Electro-Acoustic Music (EAM) & Music Theory (MTh) at Hanyang University etc. Editor Ko, PyoungRyang Lecturer of MTh & EAM at Seoul National University, Sookmyung Women's University etc. Editorial Board Breitenfeld, Roland Professor of Composition and Electronic Music at Seoul National University Chang, Jaeho Professor of Music Technology at Korea National University of Arts Cho, Jinok Lecturer of MTh at Seoul National University, Chung-Ang University etc. Cho, Youngmi Lecturer of EAM & MTh at Pyeongtaek University etc. Dudas, Richard Professor of Composition and Computer Music at Hanyang University Kim, Han Shin Lecturer of EAM at Sookmyung Women's University etc. Lee, Byung-moo Lecturer of Composition, MTh & EAM Music at Chugye University for the Arts etc. Lee, Kyogu Professor of Music Information Retrieval, Music DSP at Seoul National University Moon, Seong-Joon Professor of Composition at Chugye University for the Arts Nam, Unjung Professor of Computer Music at Baekseok Arts University Parks, Kevin Professor of Composition and Computer Music at the Catholic University of Daegu Yeo, Woon Seung Professor of Audio visual art, New Musical Interface, Mobile Orchestra and Music DSP at Korea Advanced Institute of Science and Technology (KAIST) Yim, Jongwoo Professor of Composition at Hanyang University Editorial Advisory Board Ahn, Doo-jin Professor of Composition at Hanseo University HWANG, Sung Ho Professor of Composition at Korea National University of Arts Lee, Donoung Professor of Composition at Seoul National University Cho, Wonhyong Researcher at the National Institute of the Korean Language _______________________________________________ Pd-announce mailing list Pd-announce(a)iem.at http://lists.puredata.info/listinfo/pd-announce

1 0

iscMME Attendance Resgistration
by Joanne Armitage 10 Jun '12

10 Jun '12

Apologies for cross posting ICSRiM Student Conference on Music, Multimedia and Electronics 2012 Monday 18th June 2012 School of Music, University of Leeds, United Kingdom Email: mme2012(a)icsrim.org.uk - Website: http://www.iscmme.leeds.ac.uk Twitter: http://twitter.com/iscmme2012 - Facebook: https://www.facebook.com/iscmme Attendance Registration We welcome you to register your attendance at iscMME2012. The inaugural conference will be held at the University of Leeds on the 18th June 2012. The day will consist of presentations, interactive demonstrations, live performances and compositions, including a world premier of Diego Garo's piece Más Claro. Our recently announced provisional programme can be viewed here; an outline of proceedings is given below: Session 1, Paper Presentation: Peter Gregson, Phoebe Bakanas, and Dave Moore Session 2, Keynote: Brian Eno. Session 3, Presentations and Performances: Edward Cragg, Ben Kavanagh, Beth White, Jack Armitage, Mike Battcock, Chris Earnshaw, Kyle Molleson, Paul Halpin, Joanne Armitage, Joel Balmer, Kyle Hudspeth and Kia Ng. Session 4, Live Performance: Eduardo Patricio, Diego Garro, Anna Weisling and Ole Adrain Hegglis. Session 5, Fixed Media: Roger Cooper, Diego Garro, Richard T.C. Nelmes, Cormac Crawley and Dan Jacobs. We hope that you can join us at this celebration of all things Music, Multimedia and Electronics. To register you attendance, please follow this link. A buffet lunch and refreshments will be provided throughout the day. Digital proceedings including audio/video materials will be published and be made available online. We look forward to seeing you in Leeds! Joanne Armitage iscMME2012 Co-chair mme2012(a)icsrim.org.uk Important dates 11th June, early bird ticket deadline 11th June (£10 student, £15 non-student) 18th June, standard ticket prices (£15 student, £20 non-student)

1 0

Re: [PD] ipoke~ ?
by Matt Barber 08 Jun '12

08 Jun '12

> On Wed, 2012-06-06 at 09:53 +0200, Jeppi Jeppi wrote: > > Hey, > > I wonder whether there is something similar to Max' ipoke~ (an > > interpolating buffer~ writer) for Pd. I should need it for some > > physical modelling and resampling stuff. Otherwise, I could implement > > it myself. It seems only interpolated reading is available (tabread4~ > > and similar ones), not writing. > > This somehow reminds of the thread about settable [receive]. Is there > really a need for the ability to do interpolated writing? Conceptually, > is there any restriction if it is lacking? Can't everything that employs > interpolated writing be achieved with interpolated reading as well? > > Maybe I'm not thinking hard enough... > > Roman > If you're using it for modeling an acoustic space, for instance, an interpolating write is the proper tool for stationary microphone and moving sources. Interpolated read is more like a moving microphone. Imagine, for instance, how you would calculate the delay time of a sound source moving toward a microphone, from the microphone's point of view. Say it's 50ms away right now, and in a second it will be 40ms away. The correct model of this is not to set an interpolated variable delay read at 50ms right now, and ramp to 40ms over one second - that would be looking 50ms into the past (of the source) right now and 40ms into the past at 1 second from now, where what you need is to look 50ms into the past of the source 50ms from now, and 40ms into the past at 1040ms from now - so you'd need to delay the the signal controlling the variable delay read itself by the appropriate amount, and that signal would have to have the same information in it that you're trying to generate with the read in the first place. This problem is easily solvable with a variable write (assuming for the moment a stationary read) - with a variable write, it is as though you're projecting samples into the read's future -- exactly what you want. You can use the same logic for needing to use variable write into a table rather than a delay line. Matt

2 2

[PD-announce] Call for Collaborators | Interactivos?'12 Dublin: Hack the City
by Medialab-Prado comunicacion 08 Jun '12

08 Jun '12

*MEDIALAB-PRADO* Plaza de las Letras C/ Alameda, 15 · 28014 Madrid +34 913 692 303 www.medialab-prado.es* * * * Interactivos?'12 Dublin: Hack the City. Current and Future Needs Call for Collaborators Call for collaborations in the advanced workshop for project pevelopment Interactivos?'12 Dublin: Hack the City. Current and Future Needs, that takes place in July 11 - 26, 2012 in Dublin (Ireland). Collaborators will participate in the production of selected projects that will create an experimental laboratory to channel hacker culture, and allow artists, designers, makers, doers, data nerds, hobbyists, citizen scientists, tech geeks, activists, edgy engineers and DIY urban planners to take control over the resolution of problems that affect and link together worldwide 'communities of concern'. Workshop: July 11 - 26, 2012. Seminar: June 11 and 12, 2012 Open call collaborators through July 5, 2012. Workshop advisors: Tim Redfern, Carolina García Cataño, John Lynch with Teresa Dillon (HACK THE CITY curator). Workshop assistant: Max Kazemzadeh Complete information and guidelines: http://medialab-prado.es/article/interactivos_dublin_call_collaborators **Activity within the framework of Studiolab European project: http://www.studiolabproject.eu/ http://medialab-prado.es http://www.sciencegallery.com/ -- Nerea García Garmendia Medialab-Prado Área de Las Artes, Ayuntamiento de Madrid Plaza de las Letras Alameda, 15 28014 Madrid Tfno. +34 914 202 754 nerea(a)medialab-prado.es www.medialab-prado.es http://www.facebook.com/MedialabPradoMadrid Twitter: @medialabprado "Antes de imprimir este documento asegúrate de que es realmente necesario. ¡Gracias por tu colaboración!" _______________________________________________ Pd-announce mailing list Pd-announce(a)iem.at http://lists.puredata.info/listinfo/pd-announce

1 0

Meet up in London?
by Dominic Pflaum 08 Jun '12

08 Jun '12

As far as I can see there are no meet ups in London. I would be keen to hook up with other PDers. I just wanted to see if there were other people out there who wanted to do the same? Many thanks, Dom

1 0

[PD-announce] Seminar: Realtime Sound Spatialization with Wave Field Synthesis (18-20 June, Barcelona)
by l'ull cec 08 Jun '12

08 Jun '12

REALTIME SOUND SPATIALIZATION WITH WAVE FIELD SYNTHESIS (led by Arthur Sauer and Wouter Snoei) This 3-day seminar will deal with both musical and technical issues surrounding spatial composition, focusing in particular on working with wave field synthesis systems. The seminar will be taught by Arthur Sauer and Wouter Snoei, two of the core members of the The Game Of Life Foundation‘s team. The foundation's unique mobile wave field synthesis system (composed of 192 speakers and 12 subwoofers) will be available on-site for participants to experiment and gain hands-on familiarity with space as a compositional parameter. Wave field synthesis is a technique for sound spatialization. It produces “artificial” wave fronts synthesized by a large number of individually driven speakers. Such wave fronts seem to originate from a virtual starting point. Contrary to traditional spatialization techniques such as stereo, the localization of virtual sources in WFS does not depend on or change with the listener’s position. As opposed to most multichannel systems, WFS has no sweet spot and allows for a wider optimal listening area. Language: English Level: Aimed at musicians, composers, sound and media artists, music software developers. Participants will be organized into two groups according to their background and experience. The first group will work with a graphical GUI interface and requires just basic sound editing knowledge. The second group will use the SuperCollider interface to the wave field synthesis system and therefore requires previous familiarity with this environment. Tutors: Arthur Sauer and Wouter Snoei. Dates: Monday 18.06.2012, 10:00-18:00 (with lunch break) Tuesday 19.06.2012, 10:00-18:00 (with lunch break) Wednesday 20.06.2012, 10:00-18:00 (with lunch break) Location: Fabra i Coats – Fàbrica de Creació. Sant Adrià, 20. Barcelona. Metro Sant Andreu. Price: 160€ (limited places available, includes free entry to evening concerts and lectures) +info: [ http://lullcec.org/2012/workshops/espacialitzacio-del-so-amb-wave-field-syn… ] ------------------------------------------------------------------------ web: [ http://lullcec.org/ ] facebook: [ http://facebook.com/lullcec ] twitter: [ http://twitter.com/lullcec ] _______________________________________________ Pd-announce mailing list Pd-announce(a)iem.at http://lists.puredata.info/listinfo/pd-announce

1 0

Accelerometer Data to Midi
by Gmail 07 Jun '12

07 Jun '12

Hey, I'm a first time user to PD. I'm trying to build an audio tool to aid running using RJDJ for my thesis. I can get the accelerometer to change sounds when the direction of the phone changes but what I want to do is assign a different midi note to the x y and z axis so it will be easy to differentiate them. Has anyone ever done this or could they help me in the right please?! It would be much appreciated Cat :) Sent from my iPhone

1 0

[PD-announce] LABOR Budapest, Guest Space 2012 - Residency call
by LABOR 07 Jun '12

07 Jun '12

LABOR GUEST SPACE - Residency 2012, call for applications LABOR announces a call for artists and curators for the use of the space of LABOR as a studio or an open space for a two week time in August 2012. Two successful applicants can use the space of LABOR in two weeks cycles for realizing projects related to visual culture. The aim of the residency is to provide a possibility for artists and curators for individual (or collective) work, introduction, and to get in contact with the Hungarian contemporary art scene. During the residency participants can use the spatial and technical facilities of LABOR (internet access, laptop), the library and the exhibition spaces. Participants of the residency will be invited to give a public presentation. The residency project covers the use of the art space; upon request we can help in finding accommodation, seeking and building professional relationships. Application Procedure: Please download and fill in the application form from the link bellow: http://labor.c3.hu/wp-content/uploads/Labor_GUEST_SPACE_application.zip The application has to contain: - professional CV - motivation letter and work plan, proposed activity (max. 2 pages) The applications should be e-mailed to labor(a)c3.hu, in the subject please include: Guest Space residency call 2012. Deadline for applications: June 25, 2012. Expected decision: June 29. Further information about the previous year's Guest Space programmes in LABOR: http://labor.c3.hu/en/?s=vendegter LABOR was founded in 2007 as a joint initiative of C3 Centre for Culture & Communication Foundation, the Studio of Young Artists Association (FKSE) and the Hungarian University of Fine Arts (MKE) in the premises of the former Studio Gallery. LABOR is a platform where the objectives of partner institutions appear jointly: • support of emerging artists • projects related to the contemporary art education • experimental initiatives advancing or reflecting on the structural changes of the contemporary art world • cooperation between art and the scientific and technical domains • events organized in the framework of international collaborations. The purpose of the collaboration is to create a flexible, shared (art) space that provides a platform for art research as well as exhibitions, projects and occasional events. LABOR aims to emphasize the social responsibility of contemporary art and its role in knowledge production. It organizes discursive programs to strengthen the debate- and discussion-culture of the local art world involving other fields of culture. LABOR recently opened Book Space, a reading room and library where current theoretical texts, magazines, and publications on visual culture are available. http://www.labor.c3.hu/ _______________________________________________ Pd-announce mailing list Pd-announce(a)iem.at http://lists.puredata.info/listinfo/pd-announce

1 0

building pd-extended on Raspberry Pi
by Tedb0t 07 Jun '12

07 Jun '12

Hi all, I'm presently neck-deep in building Pd-extended on my Raspberry Pi (debian squeeze). I'm running into a lot of dependency problems. Here's what I did to prepare for the build: rsync -av --delete rsync://128.238.56.50/distros/pd-extended/ pd-extended/ added to /etc/apt/sources.list: deb-src http://ftp.uk.debian.org/debian/ squeeze main sudo apt-get update sudo apt-get build-dep pure data gem pdp cd pd-extended/packages/linux_make make install && make package (and some other stuff like installing autoconf) But so far I've had to manually resolve at least 6 unfilled dependencies and there's no telling how many more there will be. Did I miss a step? I also had to manually fix a line in the makefile for OSCx (removing -lpd from the LIBS line). If this has already been taken care of please let me know! As far as I could tell there was not already a build that would work on this architecture. Thanks! —t3db0t

1 1

Wiimote on Mac
by Jonghyun Kim 07 Jun '12

07 Jun '12

Dear list, How can I WII remote into PD on Mac? I don't know what is [HID] object. Osculator won't well. So I want another simple way... Is there simple and good .pd patch? Best, Jong

4 3

← Newer
1
...
6
7
8
9
10
11
12
Older →

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

Pd-list June 2012