Pd-list August 2005

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138 participants
217 discussions

Re: [PD] pd @ siggraph 2005
by shreeswifty 01 Aug '05

01 Aug '05

i will only be there "virtually" at the beginning of each performance i say a few quick words "open source" "miller puckette" "pure data"..etc with a key of the patch and then we place quick jpegs behind the traveller kid we moved to AG2.3 on windows but i have not needed to compile VIC we are using INSORS for this show and the LACC network is nightmarish. We are already looking forward to boston 06 when we will have bandwidth On Mon Aug 01 12:24:12 EDT 2005, "B. Bogart" <ben(a)ekran.org> wrote: > Hey Pat, > > My new lab (Evolving Stories) is a presentation venue for the > SIGGRAPH > over AG stuff. We'll be watching on tues/wed/thursday and > participating > in Galen Scorer's "network touch". > > Hope to see you around! > > B. > > PS: you have not compiled VIC for windows have you? > > Pat Pagano wrote: >> hi >> >> we are using GEM/pd at DWI performance at siggraph2005 >> it's a REALLY REALLY simple keyer i worked on a few years ago >> got tons of help from CK and jamie on it as i recall. >> it's used in conjunction with the access grid >> >> http://www.digitalworlds.ufl.edu/projects/CommonTime/overview.htm >> >> cheers~ >> >> >> >> Patrick Pagano, B.S., M.F.A >> Digital Media Specialist >> University of Floirda >> Digital Worlds Institute >> 352-294-2082 >> >> >> _______________________________________________ >> PD-list(a)iem.at mailing list >> UNSUBSCRIBE and account-management -> >> http://lists.puredata.info/listinfo/pd-list >> > > _______________________________________________ > PD-list(a)iem.at mailing list > UNSUBSCRIBE and account-management -> > http://lists.puredata.info/listinfo/pd-list > Patrick Pagano,M.F.A Digital Media Specialist Digital Worlds Institute University Of Florida (352) 294-2082

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Re: [PD] pd drum machines
by shreeswifty 01 Aug '05

01 Aug '05

David check granuloop [granular drums] it works very nice [but yes requires Yves' Grid external and the Joystick external too.] I simply ask to see patches so i can get a feel for what works/does not. I always intend to make things myself, but frankly nullpointers drummachine was pretty darn close to what i was wanting. I think odiv was trying to be helpful but i agree with david that it's nice ..AND IT WAS to get some links. On Mon Aug 01 12:56:48 EDT 2005, David Powers <cyborgk(a)nocturnalnoize.com> wrote: > Okay, I'm sorry but this bothers me - telling people "build it > yourself" instead of providing some concrete information for > someone who is probably new at PD. We are all here because we > want to learn to build things ourselves, but some of us need a > little more help along the way. > > Furthermore, a functional drum machine is not as simple as you > imply, you need the modulus+counter, some way to code rhythmic > patterns (grid? 0's and 1's? What if you want to switch between > different time units?), you need to get all the sampler parts > worked out, you need envelopes (notice in Frank's example > tutorial he used an external that a newbie would not be familiar > with to get more precise attack and decay times), and need a > mixer section. Each of these can be tricky for a beginner. At > the least it would be nice to include some kind of examples of > your patches, if this is easy and something you've already built > (as you seem to imply). Yes, it might not be hard to get a > little "tweek tweek tweek" in quarter notes, but that's not the > same as a usable performance tool. And for PD to be more than a > teaching tool, it needs to result in performance tools that > people can use. If I have time in the future to work on PD, I'll > try and work on such things (actual working abstractions and > apps). I'd most like to see a granular drum machine, personally, > possibly with options to do aleatoric tweaks. I'd also really > like to see something that captures buffer stuff and can spit out > random rhythmic permutations and subdivisions in time with the > beat. I don't have enough knowledge to build these things > currently but maybe someday... > > ~David > > odiv . wrote: > >> hello Patrick >> >> I really recommend you to use your imagination and build your >> own "drums". Think...what do you need: a constant (or not) sound >> source times envelope generator, which is triggered (or not) by >> rythmical (or not) patterns. As simple as it gets. Have your >> custom fun. >> >> daniel . >> > > Patrick Pagano,M.F.A Digital Media Specialist Digital Worlds Institute University Of Florida (352) 294-2082

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flext externals crash PD
by Jacob Last 01 Aug '05

01 Aug '05

Hi-- I was able to compile both the tutorial examples in flext and my own simple flext externals fine when I was using version 0.4.7...now I'm trying to use 0.5.0 with the new build system (which is great, btw), and everything seems to compile fine, flext is installed. Then I create a package.txt with the minimum info, i.e. just NAME= myexternal SRCS= main.cpp It compiles fine, installs fine, but when I try to create an instance of the object in a PD patch, PD crashes after a delay of about a half second. I don't know how to trace the crash or anything. I'm on OS X 10.3.9, using Hans's installer PD package (Pd-0.38-4-extended-RC1.app). This happens when I try to compile my own externals using the buildsys as well as Thomas's tutorial examples (I created similar package.txt files for those examples). Starting PD from the command line, upon crashing it spits out dyld: ./pd Undefined symbols: _ZN11TableAnyMapD1Ev.eh socket receive error: Connection reset by peer (54) Trace/BPT trap The only warning I get during any of the compile or install procedures is /usr/src/flext/buildsys/mac/gnumake-gcc-ext.inc:40: warning: overriding commands for target `pd-darwin/release-single' /usr/src/flext/buildsys/mac/gnumake-gcc-ext.inc:36: warning: ignoring old commands for target `pd-darwin/release-single' when i do `build.sh pd gcc install` which doesn't seem like an issue. Is there a problem with my use of the new build system or what? I'm stuck. Thanks for the help and all the great work, Jacob Last

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pd in berlin?
by ruben patiño 01 Aug '05

01 Aug '05

hallo! anybody knows if thereÅ½s a pd scene in berlin? I really think so. iÅ½d like to know about it. iÅ½m new in berlin. ciao! ______________________________________________ Renovamos el Correo Yahoo! Nuevos servicios, mÃ¡s seguridad http://correo.yahoo.es

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Announce: Spark Festival of Electronic Music and Art - Minneapolis
by michael＠berkowski.net 01 Aug '05

01 Aug '05

NOTE: PLEASE DIRECT INQUIRIES TO sparkfst(a)umn.edu INSTEAD OF REPLYING TO THIS MESSAGE. University of Minnesota School of Music, Noel Zahler, Director Announces 2006 Spark Festival of Electronic Music and Art Douglas Geers, Director West Bank Arts Quarter, University of Minnesota Twin Cities Campus February 22-26 CALL FOR COMPOSERS, ARTISTS, and PRESENTERS Submission Deadline: September 30, 2005 (postmark) The University of Minnesota School of Music is proud to present the 2006 Spark Festival of Electronic Music and Art, February 22-26. The festival will be held on the Minneapolis campus of the University of Minnesota (USA) and at the Walker Center for Art, Minneapolis. Now in its fourth year, the Spark Festival showcases the newest groundbreaking works of digital music and art. Last years festival included innovative works by over one hundred international composers and artists, including featured guest artists Philippe Manoury and DJ Spooky. Leading scholars and technology specialists also presented papers relating to new technology and creativity. Audiences for the concerts, installations, and lectures last year totaled approximately 2,000 people. Spark invites submissions of works incorporating new media, including electroacoustic concert music, experimental electronica, theatrical and dance works, installations, kinetic sculpture, artbots, video, and other non-traditional genres. Spark also invites submission of scholarly papers on technical and aesthetic subjects related to the creation of new media art and music. All accepted papers will be published as part of the Spark proceedings. Please see http://spark.cla.umn.edu/archive.html for a PDF copy of the Spark 2005 proceedings and program. MUSIC SUBMISSIONS Music submissions will be accepted in four categories: 1. Concert works: Electroacoustic works with and without performers. Performance venues will accommodate 2-8 channel works and works with video. Although there is no strict limit of duration, pieces of fifteen minutes or less are encouraged. Note that Spark 2006 will feature guest performers Maja Cerar (violin) and Brian Sacawa (saxophone). Works written for solo violin and solo saxophone with digital music and/or images are especially welcome. Other instruments will be available, and details on available performing forces will be posted on the Spark website with the submission forms. 2. "Club" works: Experimental electronic performances in a "club- style" venue. Performers of various styles will be considered, including those influenced by IDM, hip-hop, glitch, jazz, and etc. Selected performers will be given sets of 15-30 minutes. Performance venue will accommodate stereo sound and video. 3. Installations: [See "Art Works" below] 4. Music with video [See Art Works below] ART WORKS Submissions will be accepted in three categories: 1. Installations and gallery works: A number of installation and gallery exhibitions will be mounted in various spaces on the UMN campus, including the Weisman Art Museum. Please include technical and space requirements with submission. Installations may be physical objects, video and/or sound projections, or combinations thereof. Artists may be required to provide some or all of necessary technology to mount installations. 2. Radio: Spark Radio is a new addition for the 2006 festival, initiated and curated by Abinadi Meza, a Minneapolis-based artist. Submissions for Spark Radio may include sound art, samplism, field recordings, turntablism, pirate radio, sonic deconstructions, and other transmissions. Please submit on CD or CD-ROM. 3. Video: Experimental video works will be screened at multiple Spark events. Videos featuring digital music compositions (two-channel or Dolby 5.1) are welcome, but this is not required. Although there is no strict limit of duration, pieces of twelve minutes or less are encouraged. Please submit on DVD or VHS (NTSC). 4. Theater/Dance: A number of theatrical and dance works incorporating new technologies will be programmed at Spark 2006, with a special interest in shorter works that can be integrated into programs with music and video works. In addition, although not confirmed as of this writing, we hope to produce at least one performance in a dance theater with video projection and an Internet 2 connection. Please include performance venue and technical requirements with submissions. PAPERS Technical papers, lecture/demonstration, and workshop submissions that deal with topics relating to creating arts and music with new technology are encouraged, including intermedia composition, performance, human-computer interaction, software/hardware development, aesthetics, and history. Paper and lecture/demonstration submissions will be accepted in two categories: Standard length: Twenty-minute presentation, allowing for five minutes of Q/A. Short length: A feature unique to the Spark festival is Symposium Fast Forward, a presentation of five to ten-minute presentations followed by five to ten minutes of Q/A. The idea of Symposium Fast Forward is to create a venue where ideas and projects may be presented succinctly with time following for discussion and brainstorming. Both students and professionals are encouraged to submit presentations of this type. Standard submissions should consist of a two-page abstract with bibliography. Short length submissions should submit a 1-2 paragraph abstract with bibliography. Camera-ready papers will be due on November 1, 2005. Individuals may submit a maximum of one paper and one lecture/ demonstration, and these will be submitted online. More information about the submission process will be available soon on the Spark 2006 website when the online submission procedure has been activated. All accepted papers will be published as part of the Spark proceedings. SUBMISSION REQUIREMENTS Applicants are invited to submit one work per category in up to three categories for consideration. All applicants must complete an online submission form on the Spark Festival website and include their submission number(s) with any physical media sent via postal mail. The submissions website will be at http://spark.cla.umn.edu/ submissions.html and will be activated in late July. More details about the submission process will be available on the Spark 2006 website when the online submission procedure has been activated. Regarding music and other performance works: Performing resources will be drawn from the University of Minnesota, although applicants are welcome to provide their own performers if desired. More information about available performers will be posted on http:// spark.cla.umn.edu when the online submission procedure has been activated. Composers and artists whose works are selected for inclusion are strongly encouraged to attend the festival. Scholars whose papers or demonstrations are accepted will be required to attend Spark to deliver their presentation. TECHNICAL DETAILS Selected works will be announced by November 1, and travel and accommodations information will be posted on http://spark.cla.umn.edu by the same date. Submission deadline is September 30 (postmark). More information and the online submissions procedure will be posted soon on the Spark 2006 website at http://spark.cla.umn.edu. Questions can be directed to the Spark hosts at sparkfst(a)umn.edu.

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flext-based objects and pd 0.39
by Thomas Grill 01 Aug '05

01 Aug '05

Hi all, i realized that the graphical side of attribute-handling is not compatible with pd version 0.39. This means that flext-based objects will display in a strange way or not be visible at all. I'm about to fix this... at the moment the only way to circumvent these problems is to compile flext with the flag -DFLEXT_NOATTREDIT and also rebuild the externals. Thomas

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[OT] Ruccas.org Turns One Year Old
by John Nowak 01 Aug '05

01 Aug '05

Today, on August 1st, Ruccas.org (http://ruccas.org) celebrates the end of its first year of operation, and the start of the next. A year ago, ruccas.org launched with a handful of artists. Today, it features the works of over seventy artists and collaborative projects, nearly all of which are available under a Creative Commons license (http://creativecommons.org). Its growth and success are due entirely to the community, who have taken advantage of how easy it is to add their own page and share their work with one of the largest online audiences for unconventional electronic art. Ruccas.org's allowing of anyone to edit the site and add their own pages, as well as its offering of free hosting for aural, visual, and software art, has enabled this to happen. The ruccas.org philosophy is that the best way to create a site of this type is to give the community as much control as possible, and artists from all around the world have stepped up and proven that our philosophy is correct. In the coming year, I personally hope that the site will continue to grow at the rapid rate it has been. Ruccas.org is a unique hub in the sense that is it only as good as the community makes it. Therefore, I urge all of you out there who are are trying to do something "new" to come share your artwork with us, and to encourage others to do the same. I know that I speak for the entire ruccas.org community when I say that we're looking forward to the next year of new additions, new directions for the site, and new community members. - John Nowak, Ruccas.org

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Pd-list August 2005