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Einladung zu einem Open CUBE Konzert am IEM
by IEM-Veranstaltungen 16 Jan '17

16 Jan '17

Wir laden Sie recht herzlich zu einem Open CUBE Konzert am IEM ein. Open CUBE - Live-Elektronik PPCM und Computer Musik Studierende der LV “Live-Elektronik” von David Pirrò Freitag 20.01.2017 20h00 Abschlusskonzert der Lehrveranstaltung "Live-Elektronik". Studierende des Studiums Performance Practice in Contemporary Music PPCM und des Studiums Computermusik spielen Werke von Malin Bång und Jan Maresz sowie neue Kompositionen für akustische und elektronische Instrumente. Mitwirkende: Doblinger Teresa - Elektroik Hedvall Paula - Elektronik Hernandez Enriquez Jacobo - Violine Schmidt David - Trompete Guza Alexander - Elektronik Manhartsberger Antonia - Elektronik Trenkwalder Andreas - Elektronik Nähere Infos über die Konzertreihe unter http://iem.kug.ac.at/veranstaltungen/open-cube.html Eintritt frei - Wir freuen uns auf Ihr Kommen! IEM-Team -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kunstuniversitaet Graz Inffeldgasse 10/3 Institut fuer Elektronische Musik und Akustik - IEM A-8010 Graz Tel: +43-316-389/3170 http://iem.at/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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Einladung zu einem Open CUBE Konzert mit CUBE Lecture am 7.12. am IEM
by IEM-Veranstaltungen 05 Dec '16

05 Dec '16

Wir laden Sie recht herzlich zu einem Open CUBE Konzert und einer CUBE Lecture am IEM ein. Mittwoch, 7.12.2016, 19:00 Uhr Lecture und Konzert CUBE Lecture/Konzert TAO G. VRHOVEC SAMBOLEC CUBE Lecture: "Rhythms Of Presence" Performance: "Surface Studies" Tao G. Vrhovec Sambolec will present his artistic research project Rhythms Of Presence, carried out under the Norwegian Artistic Research Programme at Bergen Academy of Art and Design (2013-2016). After the talk Sambolec will perform his piece "Surface Studies". Artistic research project "Rhythms Of Presence" focuses its attention on the (in)visible manifestations of bodily presence as an acoustical and temporal phenomenon. Through the process of capturing the rhythms of everyday steps or listening to an ambiance of a place in order to re-articulate and displace them in various ways, this project explores the poetic, aesthetic and philosophical potentialities of the omnipresent infra-ordinary rhythms of everyday life. Bringing these rhythms to the fore in the settings of several spatial installations, hybrid places of intersection between presence and absence, concrete and abstract, here and somewhere else are established. "Surface Studies" (2014) In Surface Studies the live event, the recorded sound and video emerge as different articulations of the relationship between the performer and the haptic/tactile qualities of the space and the present bodies. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ TAO G. VRHOVEC SAMBOLEC is working with the invisible ephemeral phenomena and the notion of space. His artistic practice is a poetic exploration of relationships between transitory and temporal flows like sound and weather phenomena and architectural and social spaces they inhabit. In his installations, he makes architecture sensitive to its immediate ephemeral surroundings and enhances the temporal dimension of architecture by creating situations where the outside and inside, the unpredictable and constructed, the permanent and temporal, time and space converse. His works encompass interdisciplinary and mixed media installations, sound interventions and electro acoustic music. Born in 1972 (Ljubljana – Slovenia), he received BA - main subject clarinet - at Trondheim Music Conservatory (Norway), BA in music composition and MA at Interfaculty Image and Sound – ArtScience, both at The Royal Conservatory in The Hague - The Netherlands, where he also followed Sonology course. His works were shown and performed in various art galleries, museums and music festivals across Europe. Among others: Kapelica Gallery -Ljubljana, Public Space With a Roof Gallery (PSWAR) - Amsterdam, Ars Electronica Festival - Linz - Austria, Museum of Modern Art - Ljubljana, AV Festival - Newcastle Upon Tyne, SKUC Gallery - Ljubljana, State Museum of Contemporary Art - Thessaloniki - Greece, De Appel - Amsterdam, Madrid Abierto - Madrid, Musica a Metronom - Barcelona, Gaudeamus Music Week – Amsterdam, Forum neuer Musik - Köln, festival of contemporary music Contemporanea 2004 – Udine, CMMAS - Morelia, Mexico, Moon Life Concept Store, Shanghai, Toonspur - MuseumsQuartier, Vienna ... He was commissioned pieces by Barton Workshop Ensemble (Amsterdam), Percussion Group The Hague and Slovenian Cinematheque. In 1996 he formed together with Tomaz Grom electroacoustic improv duo TILT, with which he performs live. As improviser he has performed with Will Guthrie, Alzheimer Trio, Riccardo Massari Spiritini, Gilles Aubry, Nicolas Field, Sabine Vogel, Dirk Bruinsma, Jonas Kocher, Michel Doneda ... So far he has released two CDs with duo Tilt. He is founder of international cycle of sound events, lectures and workshops Bitshift in Kapelica Gallery - Ljubljana, which started in 2001. In 2008 and 2011 he got awarded Startstipendium from The Netherlands Fundation for Visual Arts, Design and Architecture - Mondriaan Fonds. In 2010 his work Virtual Mirror - Rain got awarded Hybrid Arts Honorary Mention at Ars Electronica, Linz, Austria. Tao is currently research fellow at the Bergen Academy of Arts and Design (KHiB), within the Norwegian Artistic Research Fellowship Programme, from 2013 - 2016. http://www.taogvs.org/ Eintritt frei! Wir freuen und auf Ihr Kommen! IEM-Team -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kunstuniversitaet Graz Inffeldgasse 10/3 Institut fuer Elektronische Musik und Akustik - IEM A-8010 Graz Tel: +43-316-389/3170 http://iem.at/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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Einladung zu Open CUBE/CUBE Lecture Junya Oikawa - Dienstag, 8.11.
by IEM-Veranstaltungen 02 Nov '16

02 Nov '16

Wir laden Sie recht herzlich zu einem Open CUBE/CUBE Lecture Konzert am IEM ein. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Dienstag, 8.11.2016, 18:00 Uhr (Lecture und anschließend Konzert) CUBE Lecture/Konzert Junya Oikawa ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Lecture: Junya Oikawa will introduce Japanese electro acoustic/digital sound artists in Japan since 1940s. He also presents his activities in order to show the tendency of Japanese contemporary sound art. Concert: Junya Oikawa will perform “Bell Fantasia”, one of his most important concert pieces he created right after he moved to Germany in 2011, “Plastic Recollections 6”, his latest work, and “Adagio”, a piece for electric guitar, using the speaker system of the IEM CUBE. While working on the spatial expression especially for stereophony/surround technologies such as Ambisonics and WFS as his recent attempt, he has been playing and creating special acoustic spaces using multiple speakers and faders with real-time operation for more than 10 years as influenced by “acousmonium”. http://junya-oikawa.com Eintritt frei! Wir freuen und auf Ihr Kommen! IEM-Team -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kunstuniversitaet Graz Inffeldgasse 10/3 Institut fuer Elektronische Musik und Akustik - IEM A-8010 Graz Tel: +43-316-389/3170 http://iem.at/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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Einladung zu Open CUBE/CUBE Lecture und einer Workshop Präsentation am 13. und 14.10. am IEM in Graz
by IEM-Veranstaltungen 10 Oct '16

10 Oct '16

Wir laden sie recht herzlich zu einem Open CUBE/CUBE Lecture Konzert und einer Workshop Präsentation am IEM ein. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Donnerstag, 13.10.2016, 19:00 Uhr (Lecture und anschliessend Konzert) CUBE Lecture/Konzert Franciszek Araszkiewicz Music governed by Brain-Waves ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Franciszek Araszkiewicz ist derzeit Artist-in-Residence in Wien auf Einladung von KulturKontakt Austria und dem Bundeskanzleramt Dieses Konzert findet statt mit freundlicher Unterstützung von KulturKontakt Austria. Music governed by Brain-Waves – ABSTRACT The principal subject of this lecture consists in describing chosen examples from music literature utilizing the technique of governing the music material by activity of human brain being scanned in real time, and discussing the main virtues and problems beyond the concept. Firstly, the pioneering Music for solo performer (1965) by Alvin Lucier will be discussed. Secondly, examples from newest polish music will be described, including Waves (2014) and Cymatic Brain (2015) by Marek Chołoniewski, as well as Matchpoint: Sound of Brain (2015), performance by Franciszek Araszkiewicz and Horst Konietzny (Munich), Paradoxes 2 for piano and electronics governed by brainwaves (2015), Palindromic Brainwaves for voice and electronics (2015) by Franciszek Araszkiewicz, and Double Brain (2016) by Araszkiewicz/Chołoniewski. Technique of streaming amplitudes of brainwaves in eight frequencies as well as average calculated states of concentration, relaxation and eye movement, utilizing the Brainwave OSC software and MAX/MSP patches will be discussed in detail. Particular stress will be put on the issue of interaction between brain activity and live electronics layer, as well as the way audiences can perceive it. The technique of performing/composing will be discussed as being a type of interactive improvisation on stochastic phenomena. „Study of Brainfields 3” for electronics governed by brainwaves and electromagnetic fields will be performed after the lecture. BIO Franciszek Araszkiewicz studied composition at the Academy of Music in Krakow (with Krzysztof Knittel and Marcel Chyrzyński). He composed vocal, instrumental, electroacoustic music, audio-visual and interactive installations.His works have been performed on many Polish ad international festivals. He received many prizes, awards and prestigious grants in Poland and abroad, including Avenir Grant (2014) awarded by the Arnold Schoenberg Center in Vienna, scholarship City of Cracow in the field of music (2014), artist-in-residence in Villa Waldberta, Munich (2015), and the Minister of Culture and National Heritage prize for students of art schools for outstanding achievements in the creative arts. Selected ‘Composer in Residence’ at the Artists in Residence Programm organized by the Austrian Federal Chancellery (Bundeskanzleramt Österreich) in cooperation with the KKA (Kultur Kontakt Austria) for 2016. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Freitag, 14.10.2016, 18:00 Uhr Workshop Präsentation mit Studierenden des Bachelors “Computermusik" John Richards Dirty Electronics – Yoke II ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Yoke II explores the themes of physical labour and oppression, affordance, oblique instrumental strategies and the embodiment of electronic sound. The instrument consists of a copper coil wrapped around a tube containing magnets. The performer is tethered to the tube that represents and takes on the appearance of a yoke. Movement is deliberately restricted and ‘playing’ the instrument is only through angling the yoke so the magnets pass through the tube and coil to create electric current for a DIY analogue synth. Short analogue percussive sounds, and some with extended decay and sustain, are coalesced in to a large-group physical sound performance piece. Yoke II is an adaption of these principles further investigating bounding and tethering - performer to performer, and performer to instrument - and how these restrictions may impose themselves on the idea of play. How might restricted bodily movement lead to a performance rhetoric and are there ways in which the restricted movement, or force (fight for freedom), can be represented in the resulting sound? BIO John Richards explores the idea of Dirty Electronics that focuses on shared experiences, ritual, gesture, touch and social interaction. In Dirty Electronics process and performance are inseparably bound. The 'performance' begins on the workbench devising instruments and is extended onto the stage through playing and exploring these instruments. Richards is primarily concerned with the performance of large-group electronic music and DIY electronics, and the idea of composing inside electronics. His work also pushes the boundaries between music, performance art, electronics, and graphic design and is transdisciplinary as well as having a socio-political dimension. Richards has been commissioned to create sound devices for various arts organisations and festivals and has released a series of hand-held synths on Mute Records. He has collaborated and performed with, amongst others, Japanese noise artists Merzbow, Pauline Oliveros, Howard Skempton (founder member of the Scratch Orchestra), Gabriel Prokofiev, Nicholas Bullen (ex-Napalm Death and Scorn) and Yan Jun. Other notable collaborations include working with Rolf Gehlhaar (original Stockhausen group), Chris Carter from Throbbing Gristle, Keith Rowe, Anat Ben-David (Chicks on Speed), choreographer Saburo Teshigawara and STEIM (Amsterdam). dirtyelectronics.org Eintritt frei! Wir freuen und auf Ihr Kommen! IEM-Team -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kunstuniversitaet Graz Inffeldgasse 10/3 Institut fuer Elektronische Musik und Akustik - IEM A-8010 Graz Tel: +43-316-389/3170 http://iem.at/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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Einladung zu einem Open CUBE Konzert am 17.9. am IEM in Graz
by IEM-Veranstaltungen 13 Sep '16

13 Sep '16

Wir laden sie recht herzlich zu einem Open CUBE Konzert am IEM ein. Samstag 17.09.2016 um 16.00Uhr am IEM - Institut für Elektronische Musik und Akustik, Inffeldgasse 10/3, Graz Open CUBE: Every Move a Sound On the Intricacies of Memory We move and sound. We wear sound and motion sensors. Movements and sounds are joined and recorded as traces. Continuously. Everybody yarns their sonic filament retractable by anybody. Anytime. Retracing is resounding is reinscribing. One’s own or another’s trace. Inevitably. We fill the performance space with remnants of our actions. This is how the past remains with us. Every action constraining the future. Becoming an obstacle or turning into a potential. The denser the traces, the harder it becomes to read them, to pull a thread out of the plot. In this environment we engage in extended and repetitive improvisatory processes, fathoming the potential of the collective instrument we are developing for years now. We aim at establishing a performance practice in which movement and sound can coexist without exploiting or betraying each other. Eine Performance von Gerhard Eckel, Alexander Gottfarb, Anna Nowak und David Pirrò Nähere Infos über die Konzertreihe unter http://iem.kug.ac.at/veranstaltungen/open-cube.html Eintritt frei - Wir freuen uns auf Ihr Kommen! IEM-Team -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kunstuniversitaet Graz Inffeldgasse 10/3 Institut fuer Elektronische Musik und Akustik - IEM A-8010 Graz Tel: +43-316-389/3170 http://iem.at/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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Einladung zu einem Open CUBE Konzert am IEM in Graz
by IEM-Veranstaltungen 27 Jun '16

27 Jun '16

Wir laden sie recht herzlich zu einem Open CUBE Konzert am IEM ein. Donnerstag 30.06.2016 um 20.00Uhr Institut für Elektronische Musik und Akustik - IEM, Inffeldgasse 10/3, Graz Open CUBE - Live Elektronik „Performace Practice in Contemporary Music“ Studierende der Lehrveranstaltung „Live-Elektronik“ von David Pirrò Programm: - Schlagschatten von Joachim Heintz für Akkordeon und Elektronik - Croscillations von Artemi – Maria Gioti für Piano und Live-Elektronik Manuel Alcaraz, Elektronik Luca Lavuri, Piano Mirko Jevtovic, Akkordeon Stephanie Schoiswohl, Elektronik Nähere Infos über die Konzertreihe unter http://iem.kug.ac.at/veranstaltungen/open-cube.html Eintritt frei - Wir freuen uns auf Ihr Kommen! IEM-Team -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kunstuniversitaet Graz Inffeldgasse 10/3 Institut fuer Elektronische Musik und Akustik - IEM A-8010 Graz Tel: +43-316-389/3170 http://iem.at/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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Einladung zu einem IEM Konzert bei KiG!
by IEM-Veranstaltungen 08 Jun '16

08 Jun '16

Herzliche Einladung, “Hauptkassa Geschlossen!” Studierendenkonzert (Gerhard Nierhaus, Johannes Zmölnig) Ort: KiG! - Kultur in Graz Lagergasse 98 a, 8020 Graz (Volkshaus, 3. Stock) Zeit: Montag, 13.06, 18h30 freier Eintritt Präsentation von Arbeiten aus den Lehrveranstaltungen: - Künstlerisches Gestalten mit Klang (J. Zmölnig) - Algorithmische Komposition, Generative Musik, Praktikum der Elektronischen Musik, Praktikum Multimediakomposition (Gerhard Nierhaus) 18:30: Präsentation von Klanginstallationen 19:30 Konzert und Filmpräsentationen Werke von: Jonathan Carter, Takuto Fukuda, Flora Geißelbrecht, Kosmas Giannoutakis, Jakob Gruchmann-Bernau, Alexander Guza, Bassam Halaka, Egid Jöchl, Lucija Novak, Daniele Pozzi, Stephan Martin Roth, Patrick Thomas Schäfer, Juan Pablo Trad Hasbun, Andreas Trenkwalder, Rafael Weissensteiner, Tomoya Yokogawa Wir freuen uns auf Ihr Kommen!

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Einladung zu einem Open CUBE Konzert am IEM in Graz
by IEM-Veranstaltungen 03 Jun '16

03 Jun '16

Wir laden sie recht herzlich zu einem Open CUBE Konzert am IEM ein. Dienstag 07.06.2016 um 20.00Uhr IEM - Institut für Elektronische Musik und Akustik - IEM, Inffeldgasse 10/3, Graz Music for Saxophone and Interactive Electronics Daedalus Project Joel Diegert, saxophones/electronics Adrián Artacho, electronics Daedalus Project is dedicated to exploring the intersection between acoustic and electronic music making. Their Open Cube program includes three new works written for the event, all of which blur the boundary between composed and improvised music. Saxophonist Joel Diegert is a doctorate student at the Kunstuniversität Graz, doing his artistic research on the topic “Live Electronics as an Extension of the Saxophone”. Adrián Artacho is a post-graduate student of electroacoustic composition at the Musikuniveristät Wien. Programme: Labyrinth (2016) for soprano saxophone and electronics by Adrián Artacho Feedback Study 1 (2016) for soprano saxophone and electronics by Takuto Fukada Phytolith I (2015) for tenor saxophone and electronics by Naoki Sakata CRISPR/Sax9 (2016) for tenor saxophone and electronics by Joel Diegert Nähere Infos über die Konzertreihe unter http://iem.kug.ac.at/veranstaltungen/open-cube.html Eintritt frei - Wir freuen uns auf Ihr Kommen! IEM-Team -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kunstuniversitaet Graz Inffeldgasse 10/3 Institut fuer Elektronische Musik und Akustik - IEM A-8010 Graz Tel: +43-316-389/3170 http://iem.at/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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Einladung zu einem Open CUBE und einer CUBE Lecture am IEM in Graz
by IEM-Veranstaltungen 19 Apr '16

19 Apr '16

Wir laden sie herzlich zu einer CUBE Lecture und einem Open CUBE Konzert am IEM ein! Donnerstag 21.04.2016, Doron SADJA (Berlin/New York City) IEM CUBE, Inffeldgasse 10/3 18:00 Uhr, CUBE Lecture: Mapping the Perceptual Landscape 19:00 Uhr, Open CUBE: The Gentle Caress of a Stone Wall CUBE Lecture: MAPPING THE PERCEPTUAL LANDSCAPE In "Mapping the Perceptual Landscape", Sadja will give an overview of his practice followed by a discussion of auditory and visual phenomena, approaches to site specific performance, and the importance of losing control of your electronic instruments. Open CUBE Konzert: THE GENTLE CARESS OF A STONE WALL (work in progress) Using Impulse Response reverb, the technique in which the acoustics of a physical space can be modeled using recorded audio from a location, "The Gentle Caress of a Stone Wall" explores the sonic materiality of architectural space - not as an effect or simulation, but as an instrument in and of itself. Using this same technique of acoustical modeling, the work also examines what kind of inherent architecture could be embedded in a sound devoid of space (what are the acoustic dimensions of a snare drum, a Buchla synth growl, or the timbre of a human voice?). Doron SADJA is an American artist, composer, and curator whose work explores modes of perception and the experience of sound, light, and space. Working primarily with multichannel spatialized sound – combining pristine electronics with lush romantic synthesizers, extreme frequencies, dense noise, and computer-enhanced acoustic instruments, Sadja creates post-human, hyper-emotive sonic architecture. Although each of Sadja’s works are striking in their singular and focused approach, his output is diverse: spanning everything from immersive multichannel sound pieces to sexually provocative performance / installation works, and stroboscopic smoke, mirror, laser, and projection shows. Doron has published music on 12k, ATAK, and Shinkoyo records, and has performed/exhibited at PS1 MoMa, Miami MOCA, D’amelio Terras Gallery, Cleveland Museum of Art, STEIM, EMS Stockholm, Issue Project Room, and Roulette amongst others. Sadja co-founded Shinkoyo Records and the West Nile performing arts venue in Brooklyn (RIP), and has curated various new music/sound festivals around NYC, including the multichannel SOUNDCORRIDORS Festival, Easy Not Easy, John Cage Musicircus, and more. Nähere Infos über die Konzertreihe unter http://iem.kug.ac.at/veranstaltungen/open-cube.html Eintritt frei - Wir freuen uns auf Ihr Kommen! IEM-Team -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kunstuniversitaet Graz Inffeldgasse 10/3 Institut fuer Elektronische Musik und Akustik - IEM A-8010 Graz Tel: +43-316-389/3170 http://iem.at/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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Einladung zu einem Open CUBE Konzert am IEM in Graz
by IEM-Veranstaltungen 11 Apr '16

11 Apr '16

Wir laden sie herzlich zu einem Open CUBE Konzert am IEM ein! Donnerstag 14.04.2016, 19:30 Uhr, IEM CUBE, Inffeldgasse 10/3 Open CUBE - Interactive Electronics Program: Stelios Manousakis – L'Hypothèse de l'Atome Primitif Sonore, for digital feedback with live electronics Dario Sanfilippo – LIES (distance/incidence) 1.4, for analog and digital audio feedback network Artemi - Maria Gioti – Magnetic Fields, for electromagnetically augmented piano David Pirrò – Useless Machine #7, feedback system, live-electronics Based on machine agency and dynamical or cybernetic systems, the featured works explore various states of interaction between the performer and the computer system, varying from stable and predictable to unpredictable and chaotic behaviours. Alexandra Radoulova - Klavier Davide Gagliardi, David Pirrò, Artemi - Maria Gioti - Elektronik Nähere Infos über die Konzertreihe unter http://iem.kug.ac.at/veranstaltungen/open-cube.html Eintritt frei - Wir freuen uns auf Ihr Kommen! IEM-Team -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Kunstuniversitaet Graz Inffeldgasse 10/3 Institut fuer Elektronische Musik und Akustik - IEM A-8010 Graz Tel: +43-316-389/3170 http://iem.at/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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