Alex Adriaansens <alex(a)v2.nl>
>JORDAN CRANDALL - DRIVE
>An installation on the perception and conditioning of the human body
>through technological viewingmachines in the last century.
>
>Exhibition at TENT in cooperation with V2_Organisatie in Rotterdam.
>Time: 25 januari until 11 februari 2001 open di - zo, 11 - 18 h.
>Location: Witte de Withstraat 50 in Rotterdam
>
>Jordan Crandalls installation 'Drive' is being presented in TENT in
>cooperation with V2_Organisation.
>Drive is about the influence of moving images onto the spectators.
Hello Alex.
I am making an adjustment - imaging the influence of spectators on moving spectators.
>About
>their psychological and physical impact. But it is also about the
>development of the cinematographic language
Marker
>and its deep connection with
>the changing society.
Develop svp +?
>Crandall has conciously
consciously
>embedded Drive in a
>historical and political context. Historical by using old film techniques
>(Super 8 mm and 16 mm), which he transformed into a contemporary document
>by DVD and the latest software. Political by using civilian and military
>images. Military footage shows a very different approach than 'ordinary'
>film does. It does not register movements but tracks them.
>Crandall combines recordings by espionage cameras,
Espionage cameras seldomly track whilst cinema cameras oftenly track.
>satellites, Night Vision devices
>and thermal imaging cameras, to create an interaction of movement,
>technology and even erotic desire.
I am in a cord.
>This way Drive's hybrid post-cinematic
>imagery contributes to film history.
Marker
>Link:
May i offer an observation - logicians would adore you.
Lets listen to your.cells. Ready +?
Camera. Track
But it is also about the
development of the cinematographic language
This way Drive's hybrid post-cinematic
imagery contributes to film history.
Historical by using old film techniques
(Super 8 mm and 16 mm), which he transformed
into a contemporary document by DVD
In other words - JORDAN CRANDALL contributes to the dev. of cinematographic
language by contributing to film history because JORDAN CRANDALL has
transferred (Super 8 mm and 16 mm) to DVD.
NN has always adored V2.
however __y o u r elegant observations Alex, contribute to the dev. of a new love affair,
an interaction of movement, ___... and even erotic desire.
!zotrop!kl!.nn
n
n n
n
n n
v3kt0r.r2!n - ztra!ng !n 2 dze z!ngular!t!
-
Netochka Nezvanova
f3.MASCHIN3NKUNST
@www.eusocial.com
17.hzV.tRL.478
e
|
| +----------
| | <
\\----------------+ | n2t
| >
e