xmedia(a)ezaic.de
>
>>do i understand you if i assume that you are in love again, marchioness.
>>well, i am too if you want to call it that. once again. i would be
>>sorry should i have prevented a lover's attack on your beautiful person.
>>through which window did he climb out, may i hope he has broken his
>>neck in doing so.
>
>
>
>fie, valmont. and save your compliments for the lady of your heart wherever this
>organ might be located. i hope …
[View More]for your sake its new sheath gilded. you ought to know
>me better. in love. i thought we agreed that what you call love belongs to the realm of servants.
>how can you consider me capable of such a vulgar stirring. the greatest bliss is the bliss
>of animals. rarely enough it drops into our lap. you let me feel it once in a while
>when i still liked to use you for it, valmont, and i hope you didn't leave empty handed either.
>who is the lucky one of the moment. or may we already call her the unlucky one.
>
>
>it is la tourvel. as for your indivisible ...
jealous. you, valmont. what a regression. i could understand you if you
would know him. by the way, i am certain you have met him.
an attractive man. though he looks like you. even birds migrating flutter
in the nets of habit though their flights span continents. turn around once.
his advantage is his youth. in bed as well if you want 2 know. do you want 2 know.
a dream if i assume you are reality, valmont, begging your pardon. in ten years
perhaps there won't be any difference between you if i could turn you into a stone now
with one loving glance of the medusa. or into a more pleasing substance. a fertile notion:
the museum of our loves. we would have full houses wouldn't we, valmont, with the statues
of our putrefied desires. those dead dreams classified according to the alphabet or
lined up in chronological order, free of the accidents of flesh, not exposed anymore
to the horrors of change. our memory needs those crutches: one doesn't even remember
the various bends of cocks, not to mention faces: a haze. la tourvel is an insult.
i didn't release you into liberty so you could mount a cow, valmont. i could understand it
if you would take an interest in little volange, a vegetable fresh from a convent's discipline,
my virginal niece, but la tourvel. i admit she is a mighty piece of flesh but to be shared with
a husband who has sunk his teeth into it, a loyal husband as i have good reason to fear, and for
who knows how many years. what's left for you valmont. the dregs. do you seriously want to poke
around in those muddy leftovers. i pity you, valmont. if she were a whore who had learned her trade.
la merreaux, for example, i would share her with ten men. but the only lady of high society perverse
enough to enjoy herself in wedlock, a bigot with reddened knees from the pew and swollen fingers
from wringing her hands before her father confessor. those hands won't touch a genital, valmont,
without the blessing of the church. i'll bet she's dreaming of immaculate conception when her
loving spouse lowers himself on her with the conjugal intention to make her a child, once every year.
what is the devastation of a landscape compared to the despoiling of lust through the loyalty of
a husband. of course, the count gercourt contemplates the innocence of my niece. in good faith,
by the way; the bill of sale is filled with the magistrate. and perhaps you are afraid
of his competition, he already snatched la vressac from under your nose, and you were two years
younger at the time. you are getting old, valmont. i thought it would be a pleasure for you,
besides a ride on the virgin, to crown the beautiful animal gercourt with the inevitable antlers
before he assumes the gamekeeper's office, and all the poachers of the capital raid his forest
and keep renewing his subscription for his headgear. be a good dog, valmont, and pick up
the scent as long as it is fresh. a little youth in your bed since the mirror doesn't provide it
anymore. why lift your leg at a poor box. or are you pining for the alms of marriage.
shall we give an example to the world and marry each other, valmont.
[View Less]
Date: Fri, 28 Sep 2001 13:34:26 -0700
From: Peter Phillips <peter.phillips(a)SONOMA.EDU>
Reply-To: PROJECT-CENSORED-L(a)SONOMA.EDU
To: prime(a)FS.freespeech.org, project-censored-L(a)SONOMA.EDU,
nbayprogressive(a)yahoogroups.com,
laborsummerschoolorganizingcmte(a)egroups.com, suneson(a)pacbell.net,
dansc(a)yahoogroups.com
Subject: Resolution in Support of Human Rights
Resolution in Support of Human Rights
Sonoma State University Faculty Senate
Approved 9/27/01
Whereas: On …
[View More]September 11, the United States suffered a horrendous terrorist
attack taking the lives of over 6500 innocent victims.
Whereas: This terrorist act was a blatant violation of Article 3 of the
Universal Declaration of Human Rights where by "Everyone has the right to
life, liberty and security of person."
Whereas: The United States is a signatory to the Declaration of Human
Rights and by law is obligated to respect its provisions.
Whereas: Article 10 of the Universal Declaration of Human Rights provides
that "Everyone is entitled in full equality to a fair and public hearing by
an independent and impartial tribunal, in the determination of his rights
and obligations of any criminal charge against him."
Whereas: Terrorists act from perceived injustices, and desire an
overreaction from the powerful that results in expanded hatred from whole
populations.
Whereas: Elements in the United States are threatening retaliation on whole
countries and desiring to change U.S law to allow contracted killings
without trial.
Whereas: Groups and individuals in the United States have harassed and
killed U.S citizens and residents because of perceived ethnic or religious
origins.
Resolve: That the Academic Senate of Sonoma State University reaffirms
support for the Universal Declaration of Human Rights and the Bill of
Rights of the U.S. Constitution.
Resolve: That all individuals in the United States respect the right of
individuals to be free from verbal and physical attacks because of their
ethnic or religious origins.
Resolve: That acts and procedures of the United States government in the
process of seeking justice for terrorist acts follow the principles and
intent of the Universal Declaration of Human Rights and the United States
Constitution.
Peter Phillips Ph.D.
Sociology Department/Project Censored
Sonoma State University
1801 East Cotati Ave.
Rohnert Park, CA 94928
707-664-2588
They that can give up essential Liberty to obtain a little temporary safety
deserve neither Liberty nor safety.
Benjamin Franklin Review of Pennsylvania
[View Less]
\/\ n2+0.buletin
01. adrian ward + netochka nezvanova tm.02 entry - [tm.02 theme = go publik] - love
02. claudia westermann + netochka nezvanova tm.02 entry - [tm.02 theme = go publik] - human genome
03. steim `knowledge management` symposium
adrian ward - http://www.auto-illustrator.com
claudia westermann - http://www.ezaic.de
steim - http://www.steim.nl…
[View More] ... ___ - zkroll u!th m!
-1
Is reality public
[>] Don't miss out on that which makes life public - Love
There once was a painter--a brilliant painter,
who mastered the art of replication and the depiction of the beautiful.
Yet he was lonely, he felt that there was no one alive who
could understand him, no one capable of perceiving his entire being.
One morning he wept in his garden, crying to god to send
him someone who might comprehend his full beauty.
That day, he painted a new canvas, a portrait of an unknown and
stunningly beautiful woman. When he had finished, he cried to god
to give her sentience, as this most wondrous painting could be the
only being in the world who might understand him. To his amazement, the
woman in the painting began to move.
"Hello! Hello!" he cried to her.
"Where are you?" she replied.
"Here, beside you!"
The woman in the painting looked around her.
"Are you up, or down? Across?" she asked.
"No, No", the painter implored, "I am...I am...out!"
"Out? What is _out_?" she replied.
"Out! Out here!"
The woman did not understand him.
She only knew two dimensions--vertical and horizontal. Her world was that of the flat canvas.
The painter ran out to his garden and threw himself onto the ground.
"God, oh god!" he wept. "Where are you?"
"Out." came the reply.
[>] The basic question has not changed since Greek antiquity:
What is reality made of?
Is reality public?
How can a mind really be sure that any other mind exists, or for that matter, the world?
..... [kontinued at tm.02]
-2
[X] Human Genome
Prologue: I am not public property.
Iago has said "our bodies are our gardens to which our wills are our gardeners"
There isn't a contradiction between free will and what one shall do knowing
in advance there isn't a contradiction between free will and knowing in advance
precisely what one shall do. If one knows self completely then this is the situation.
One does not deliberately do the opposite of that one wishes. (Godel)
Jean-Jacques Rousseau in the Discourse on Inequality wrote: "The first life form who,
having enclosed a bit of land said 'This is mine', and found people stupid enough to
believe him, was the true founder of civilized society".
I enclose my body and say: "This is mine. There are more riches than
have yet to be revealed!! Extend me!!!"
The concept of ownership is essentially a social one - it is our social grammar.
When I feel pleasure, a sour taste or a sensation of blue light
the experiences belong to me exclusively. They are MINE.
The idea of private ownership is psychologically the metaphorical extension of the
idea "this is my body" a matter of extending the boundaries.
Body without borders. We want don't we ?
The first things which belong to me are those that are actually physically a part of me
- these are my eyes. my fingers etc. They aren't yours. When they sense I sense.
You may perceive and only. They may never be your property.
Never? Never - but I plans for yours do have.
Is there something even more basic than the ownership of one's body ?
Yes.
..... [kontinued at tm.02]
-3
Steim [www.steim.nl] symposium on KM [knowledge management] - with:
Netochka Nezvanova, Anne Laforet, Domiziana Giordano, Claudia Westermann, Maja Kuzmanovic
may email nezvanova(a)steim.nl regarding participation
dates + simply.SANITARY propaganda in 01 subsequent transmissie.
/_/
/
\ \/ i should like to be a human plant
\/ __
__/
i will shed leaves in the shade
\_\ because i like stepping on bugs
*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
Netochka Nezvanova nezvanova(a)eusocial.com
Stichting STEIM http://www.eusocial.com
Achtergracht 19 http://www.biohakc.com
1017 WL Amsterdam http://www.ggttctttat.com/!
Netherlands http://steim.nl/leaves/petalz
*--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*--
[View Less]
This newsletter in Dutch/Deze nieuwsbrief in
het Nederlands: http://www.wwvf.nl/newsletter/
=============================================
19. WORLD WIDE VIDEO FESTIVAL 2001
=============================================
annual international media art festival
amsterdam
* screenings
* live events
* meet the artist
* seminar
10 - 13 October 2001
* exhibitions
10 October - 11 November 2001
---------------------------------------------
Contents
----------------------------…
[View More]-----------------
- Introduction
- Africa in focus
- RETREKS unSUNg CITY
- New Arab Video - (in)tangible cartographies
- World Wide Media Lounge
- Meet the Artist
- Seminar
- Live Events: The Light Surgeons/Hexstatic,
Alexei Shulgin, Matt Hindley, Kurt Ralkse,
Breda Beban
- Echo
- Catalogue
- Admission
- Contact us
As of 2 October the full programme schedule
will be online at: http://www.wwvf.nl.
-------------------------------------------------
- Introduction
-------------------------------------------------
With over a hundred artists from 26 countries
the 19th edition of the World Wide Video Festival
will start in Amsterdam on 10 October. Special
programmes will focus on media art from Africa
and the Arab world. (For a comprehensive list
of all participating artists see
http://www.wwvf.nl/2001).
In addition to media art from various parts
of the world, there will be performances by
dj's and vj's. During the first few days of
the festival many artists will appear on Meet
the Artist, there will be a dance night and
many other activities in the Melkweg. All
exhibitions will continue through Museum
Night, 10 November.
-------------------------------------------------
- Africa in focus
-------------------------------------------------
Traditionally, most media art is being produced
in Western Europe, North-America, Japan and
South-America. Relatively little is known to
come from Africa or China. Last year the festival
presented a number of works from China and this
year a number of African countries will be
featured.
With the support of the World Wide Video Festival
and the Hivos Cultur Fund, Fernando Alvim,
Tracey Rose, Matt Hindley and Minnette Vari have
produced new work that will have its world
premiere at the festival. In addition to this,
on 10 and 11 October Europarking will feature
the exhibition 'RETREKS unSUNg CITY' - curated
by Rodney Place - and, at the invitation of
the Prins Claus Foundation, a solo exhibition
by Antonio Ole containing work that has never
been shown in Europe. Candice Breitz (ZAF),
currently living in the USA, will present three
new installations. The World Wide Video Festival
will also premiere Fernando Alvim's 'Gela Uanga'.
>>> Locations:
Arti et Amicitiae, Veemvloer, Baby
Europarking, De Brakke Grond, Melkweg, De Appel
-------------------------------------------------
- RETREKS unSUNg CITY
-------------------------------------------------
Johannesburg's city centre was once the economic
and cultural heart of South Africa. In the early
seventies, the city began - US style - to
decentralise into the suburbs and this urban
paranoia grew with the advent of Johannesburg
as a new African city after the '94 democratic
elections.
The exhibition RETREKS: unSUNg CITY, curated by
Rodney Place was shown last year at one of the
many abandoned parking garages in the city centre.
This year the World Wide Video Festival opens with
this spectacular exhibition at Europarking on
Marnixstraat in Amsterdam. On the top floor of
this huge parking garage screens measuring 2 x 9
meters will display works by Brett Murray, Jane
Alexander, Robyn Orlin, Stephen Hobbs, William
Kentridge and Rodney Place.
>>> Location:
Europarking, 10 Oct 8 - 11 pm (Opening festival,
admission on invitation only and for passe-partout
holders). 11 Oct 5 - 10 pm
-------------------------------------------------
- New Arab Video - (in)tangible cartographies
-------------------------------------------------
Arab countries have recently produced an
impressive array of works: video art, personal
essayistic work and experimental documentaries.
Much of these works strategically blur the
distinctions between genres finding an adequate
form of representation for the issues and/or
narratives they are tackling. These works deal
with interstitiality between countries, cultures,
influences, politics, ideologies, and subjective
dispositions/dispossessions. They incorporate
a fascinating blend of critical stances and
traditional (filmic and cultural) influences.
At the request of the World Wide Video Festival
artist/curator Jayce Salloum has compiled an
extensive programme of videotapes from Lebanon,
Palestine, Egypt and Syria, among others.
>>> Locations:
Melkweg - Cinema, 11/12/13 October. With
introductions by Jayce Salloum and some of the
artists.
De Appel, 27 Oct
Baby, 11 Oct - 11 Nov
-------------------------------------------------
- World Wide Media Lounge
-------------------------------------------------
'Baby' is a beautifully renovated and tastefully
redecorated former church on the Keizersgracht.
Here 24 viewing units (computers/video monitors)
have been installed where visitors - comfortably
accommodated in luxurious seating - can choose
from a menu which particular work from the
selection of single screen productions
(videotapes/CD-ROMs/Net Art) they would like to
see. At their own pace, visitors can watch,
browse, play and zap their own way through the
various productions on offer. Alternatively,
they can follow the thematic routes charted by
the festival. The viewing units are located on
the second floor. On the ground floor are the
festival's reception desk, a bar, a lounge with
armchairs and a reading table. Also in Baby is
the installation 'Ekkofisk', an interactive
sound installation by the artists' collective
Fatamorgana (NOR). It consists of a lighted
transparent column - standing some two meters
high and filled with water and two goldfish - a
computer and a series of sensors. The movements
of the fish are registered by the sensors and
then translated by the computer into quadraphonic
music, turning the exhibition space into a
subtle, dreamlike soundscape.
>>> Location:
Baby, 11 Oct - 11 Nov, Tue - Sun 2 - 10 pm
11/12/13 Oct, 11 - 10 pm
-------------------------------------------------
- Meet the Artist
-------------------------------------------------
The World Wide Video Festival strives to
stimulate the encounter of artists and audience
in every possible way. Over 70 artists will be
present at the festival and they will appear in
the programme section Meet the Artist, a series
of interviews, lectures, introductions and
screenings in which the artists elaborate on their
work, its background and their motivation. This
section proved very popular last year with both
regular festival visitors and fellow artists and
press. It has therefore been extended: it will
now take place in two rooms in the Melkweg,
with a follow-up at three nights in De Appel.
>>> Location:
Melkweg - Theaterzaal/Oude Zaal, 11/12/13 Oct
De Appel, 20 Oct/27 Oct/3 Nov
-------------------------------------------------
- Seminar
-------------------------------------------------
Jordan Crandall (USA), Netochka Nezvanova (FRA)
and Vera Frenkel (CND) are the speakers at this
year's seminar, which will take place over a
period of three days: 11, 12, 13 October, at
11 am in the Theater Zaal in the Melkweg,
Amsterdam.
Each presentation will take up from 90 to 120
minutes. As of 2 October the seminar programme
will be online at: http://www.wwvf.nl/seminar.
Admission for passe-partout holders only:
http://www.wwvf.nl/passepartout.
There are no separate tickets available for the
seminar only
>>> Location:
Melkweg - Theater Zaal, 11/12/13 October
-------------------------------------------------
- Live Events
-------------------------------------------------
Live Event > The Light Surgeons/Hexstatic
On Saturday night the World Wide Video Festival
Party at the Melkweg will be dominated by The
Light Surgeons , a London collective of filmmakers,
graphic designers and DJ's. The performance
'Electronic Manoeuvres' will begin at The Max at
10.30 pm. Partly hidden behind a large projection
screen, The Light Surgeons will challenge
perfection by presenting a breath-taking
audiovisual show with their super8 films, slide
sequences, 16mm film loops and assorted low-tech
equipment. Next, performances by Live Professor
and Scanone with visuals by The Light Surgeons.
In de Oude Zaal, starting at midnight, Hextatic
will perform, with a guest appearance by Alexei
Shulgin.
>>> Location:
Melkweg - The Max, 13 Oct 10.30 pm
Melkweg - Oude Zaal, 13 Oct midnight
-------------------------------------------------
Live Event > Alexei Shulgin
Under the inspiring leadership of Russian artist
Alexei Shulgin (RUS) cyberpunk rock band 386DX
will perform at the Melkweg. Shulgin's 'band'
consists of assorted outdated hardware, a dry
ice machine and a keyboard. Ironic mockery or
dead serious - whatever it may be, Shulgin's
performances are always a surprise.
>>> Location:
Melkweg - Oude Zaal/The Max, 11 Oct 10 pm
and 13 Oct
-------------------------------------------------
Live Event > Matt Hindley
Matt Hindley (ZAF) aims to examine the most
highly charged moments of the inner lives of a
range of subjects. Allow me to observe is a
body-worn recording system. It shoots in the
first person and is activated only by a high
degree of excitement and arousal. The audience
is invited to participate in Hindley's research.
During the day the images - voyeuristic videos,
edited by the subconscious - will be shown daily
at Melkweg - The Max.
>>> Location:
Melkweg - The Max, 11/12/13 Oct
-------------------------------------------------
Live Event > Kurt Ralkse
'Ursonate.02' is a performance, a live
improvisation in sound and image. The first
'Ursonate' was composed by Kurt Schwitters in 1932,
a phonatory score with no linguistic meaning.
Ralske (USA) became attuned to the subtle interaction
of music and image - the myriad possibilities of
ways sound and image can inflect each other's
tone and meaning. Ralske works with nato.0+55 -
the trailblazing software program - which he
rewrites and supplements as the need arises.
Ralske describes his current video work as an
inversion of his previous role: 'reverse film
scoring', creating image to match sound, instead
of the other way around.
>>> Location:
Melkweg - Oude Zaal, 12 Oct 8.30 pm
-------------------------------------------------
Live Event > Breda Beban
Ten years after the outbreak of the Balkan war,
Breda Beban (YUG/GBR) revisits her birthplace
as Slobodan Milosevic's regime collapses in
Yugoslavia. Titled after a heartbreaking Balkan
folk song, Beban's live video performance
'Too Early For Sorrow Too Late For Happiness?'
captures the almost unbearable intensity of an
event when a moment in personal history and a
moment in social history blur.
>>> Location:
Melkweg - Oude Zaal, 12 Oct 10.30 pm
Melkweg - Theaterzaal, 13 Oct 8 pm
-------------------------------------------------
Live Event > Walter Verdin
X<Africa was first shown in 1997. This is a new
version of this double concerto for sound and
image, inspired by the Malinke rhythms of the
African Bété tribe from Ivory Coast. This
performance combines rhythms, music, dance and
video projections against an African background.
>>> Location:
'X<Africa', De Brakke Grond, 2 Nov 8.30 pm
-------------------------------------------------
- Echo
-------------------------------------------------
Keep an eye out for these extra activities that
will take place in the weekends during the entire
festival period.
Marcel Odenbach on the exhibition of African
video art 'Blick-Wechsel' that he curated, with
work by (among others) Ingrid Mwangi, Goddy Leye,
Moshekwa Langa, and a presentation by Mawuli
Afatsiawo, artist-in-residence of the
World Wide Video Festival and the Thami Mnyele
Foundation.
>>> Location:
De Appel, 20 Oct 8.30 pm - 10.30 pm
-------------------------------------------------
New Arab Video: (in)tangible cartographies.
Jayce Salloum will introduce the programme he
compiled, showing works and extracts by, among
others, Mohamed Souaid (LBN), Sohbi Al-Zobaidi
(PAL), Hassan Khan (EGY), Zeineb Sedira (GBR),
Nesrine Khodr (LBN) and Azza El-Hassan (PAL).
>>> Location:
De Appel, 27 Oct 8.30 pm - 10.30 pm
-------------------------------------------------
Fernando Alvim, Gela Uanga
The World Wide Video Festival will also have
the world premiere of Alvim's 'Gela Uanga'
(which roughly translates to 'art of the
elsewhere (magic art)').
'Gela Uanga' is an artists' documentary about the
'culture of warfare'. Its starting point is the
devastating war that has been raging in Angola
over the past 40 years - a trauma with
repercussions that are felt far beyond Angola's
borders. The documentary reflects the sometimes
contradictory views of 14 artists on the traces
the war has left in memory.
>>> Location:
De Appel, 27 Oct 8.30 - 10.30
After the evenings in De Appel, the World Wide
Media Lounge in Baby will be open.
-------------------------------------------------
- Catalogue
-------------------------------------------------
The 400 page, full colour catalogue contains
descriptions (in English) and photographs of all
the selected works together with introductory
articles on some of the festival activities. It
is designed by Irma Boom who has won two
prestigious awards for her previous series of
four World Wide Video Festival catalogues. The
catalogue will be on sale during the entire
exhibition period at Baby, Arti & Amicitiae,
and at the Melkweg on 11,12,13 october, for
f 50 and after that for f 69,50 at regular
book stores. It can also be ordered on line
via: http://www.wwvf.nl/catalogue.
The catalogue will be on sale during the entire
exhibition period at Baby and Arti & Amicitiae
for f 50, and after that for f 69,50 at regular
book stores.
---------------------------------------------
- Admission
---------------------------------------------
Advance booking and reservations
At http://www.wwvf.nl/passepartout day-tickets
and passe-partouts can be reserved online.
Reserved passe-partouts and day-tickets can
only be collected at de Melkweg ticket-office
from Monday, October 8 (please bring
passport-photograph).
> Melkweg
Ticket office is open Mon - Fri 1 pm - 5 pm,
Sat/Sun 4 pm - 6 pm. If there is an evening
programme, also from 7.30 pm (info: 020.531.8181).
Collection and sale of passe-partouts and
day-tickets. Reservation of tickets not
possible at this ticketoffice! From 11 till
13 October the ticket office will be open
from 10.30 am till 2 am.
> AUB Ticketshop Leidseplein
Open daily 10 am - 6 pm (Thu untill 9 pm).
Reservation and sale of passe-partouts and
day-tickets. Reservation costs are f 4.50
per ticket.
> Uitlijn
0900 - 0191 (88 cents per minute) daily 9 am -
9 pm. Reservation and sale of passe-partouts
and day-tickets. Costs of handling and postage
f 7.70 per ticket. Tickets are delivered by mail.
---------------------------------------------
- Contact us
---------------------------------------------
World Wide Video Festival
Marnixstraat 411
1017 PJ Amsterdam
Netherlands
P: +31 (0)20 420 77 29
F: +31 (0)20 421 38 28
E: wwvf(a)wwvf.nl
W: www.wwvf.nl
If you no longer wish to receive this newsletter,
please send an e-mail to: webmaster(a)wwvf.nl
with 'unsubscribe' in the subject line.
[View Less]
media(a)ezaic.de
>>zkrol u!th m!
>
>scroll with me
valmont, i believed your passion for me died. why this sudden fire again +?
and with such youthful force. however, it's too late. you won't ignite my heart anymore.
not once again. never more. i am telling you this not without regret, valmont. after all, there
were minutes - maybe, i should say moments, a minute that is an eternity - when i was happy thanks
to your company. i am talking of myself, valmont. what do i know of your …
[View More]feelings.
and i should perhaps talk rather about the minutes during which i could use you - you, that was
your talent in the intercourse of my physiology - to feel something that in my memory
seems to be a sensation of bliss. you didnt forget how to manipulate this engine.
dont take your hand away. its not that i am feeling anything for you. it is my skin
that remembers. or perhaps it doesnt matter to it - i am talking of my skin,
valmont - simply doesnt matter does it +? to what kind of animal the instrument of lust
is attached, hand or claw. when i close my eyes you are beautiful, valmont. or
hunchbacked if i want it. the privilege of the blind. they drew the better lot in love.
they are spared the comedy of circumstances: they see what they want to see. the ideal would
be blind and deafmute. the love of stones. did i shock you valmont. how easy it is to discourage you.
i didnt know you like this. did the fair sex wound you deeply after me. tears. do you have
a heart, valmont. since when. or was your virility damaged in my successors. your breath tastes
of solitude. did the successor of my successor send you packing. the forsaken lover.
no. dont retract your tender offer, sir. i am buying. i am buying in any case.
no need to fear emotions. why should i hate you, i didnt love you. lets rub hides together.
ah, the bondage of bodies. the agony to live and not be god. to have a consciousness but no
power over matter. do not rush, valmont. that is good. yes yes yes yes. that was well acted,
wasnt it. what do i care for the lust of my body, i am no dairy-maid. my brain is working
at its normal rate. i am totally cold, valmont.
my life my death my love.
[View Less]
[model z!t!znz - simply...simple]
From: RenÈ Mogensen <ReneMogensen(a)hotmail.com>
Subject: Virus Alert
Two of our MAC computers has been more or less incapacitated by a virus Strange files were found in folders:
Max External Collection 3.1
FAT
applications
0f¯003
The virus was apparently transfered to a second machine via a Quick-Mail Pro attachment in our local network. The attachment could apparently not be opened immediately, but instead generated …
[View More]a message that a plug-in for Netscape Navigator was missing, but could be downloaded. A new Netscape window opened with a page offering several download options. The user then chose ìAcrobat for Mac OSî and the download began. Seeing that the download would take a long time, the user interrupted the download and when he did so, the screen immediately was changed to include only a black and a white area, and a soundfile began playing, with a voice saying: ìThe world is sick - everybody is sick. You only get 4000 orgasms in a lifetime. Donít attempt to stop this program, or...î At this point the machine did not react to input from the keyboard or mouse.
After the machine was restarted, the program entitled ìo f ¯ 003î was included under Recent Applications. The machine now can only be started without extensions, otherwise it freezes.
We haven't been able to identify the virus yet.
Sincerely,
RenÈ Mogensen
Danish Institute for Electroacoustic Music
Aarhus, Denmark
www.diem.dk
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