Hans-Christoph Steiner a écrit :

Honestly, I doubt you could tell the difference between 4ms and 14ms in a blind test. There have been many studies on this. If you can detect such tiny differences in onset time, you would be superhuman.

Normal humans start to detect a modulation above a difference about 25ms, not even a delay. Anyway, a real instrumentist would obviously be able to play with any amount of latency, and a real director should be able to coordinate different instrumentists. Take the violin section for example, the sound comes out from this instrument group a long time after strings starts to be rubbed. The location of different instrumentists in the concert room is also a cast that the director shouldn't neglect if he don't want all instrumentists to be loosed in a soup of delayed attacks caused just by the sound's travelling in atmosphere.

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