There is a fairly long-standing tradition of graphic scores made, post-copmosition, of electronic music - standard practice in Electroacoustic tuition for example.
Yet there still isn't much around that makes the auditory/visual connection explicit (Xenakis' UPIC and its derivatives being one of the classic examples).
For those interested in notational aspects and approaches within electronic music just the idea itself of data structures is hugely stimulating - you could even go so far to state that it's somewhat of a 'holy grail'.
I'm interested in data structures precisely because they don't work so well
- it's a worthwhile problem. The now well-worn, almost clichéd story that
DS's were one of the major original impetuses for Pd's existence, and 20 years later they're still a work in progress, I think shows that this shit ain't easy.
Hans' DS composition from a few years back has travelled far and wide (it's in one of the classic recent books on graphic scores - on the front cover even!) so it's a shame that there's not much else to show for them in recent years.
Ligeti rocks btw, proper hardcore.
Regards,
Julian
On 4 December 2014 at 09:10, i go bananas hard.off@gmail.com wrote:
and how many years work would it take to do that in pd data structures?
On Thu, Dec 4, 2014 at 5:04 PM, Chris McCormick chris@mccormick.cx wrote:
https://www.youtube.com/watch?v=71hNl_skTZQ
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