Dear Pierre,

I mean machine listening as the retrieving of musical and sound attributes through audio descriptors. From simple implementation like pitch and envelop tracking to more complex methods involving audio descriptors like MFCC, spectral centroid etc. I'm looking for mixed works that makes use of these type of process to create interaction between instrumental writing and electroacoustic process.

On Sat, Mar 7, 2020 at 3:23 PM Pierre Alexandre <p.a.tremblay@hud.ac.uk> wrote:

Dear Vinicius

There are a lot of works doing so indeed! Maybe if you define a threshold of what you considering machine listening, that would help me point at various works in various places?

p

> On 7 Mar 2020, at 18:10, Vinicius Cesar <oviniciusc.oliveira@gmail.com> wrote:
>
>
> Hello,
>
> My name is Vinicius, I am a brazilian composer. I am currently working on a master research at the Estate University of Campinas in São Paulo, about compositional strategies and interactive music system in mixed works, and I'm looking for mixed works that makes use of machine listening/music information retrieval. It can be pieces for any instrumentation, but must be notated in score.
> If someone has pieces with these characteristics or knows some composer that works with this kind of music, contact me, please!
>
> All the best,
>
> Vinicius
>
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