--- On Sun, 11/14/10, Mathieu Bouchard matju@artengine.ca wrote:
From: Mathieu Bouchard matju@artengine.ca Subject: Re: [PD] Musical notation object on Pd To: "patko" colet.patrice@free.fr Cc: "pd-list" pd-list@iem.at, "João Pais" jmmmpais@googlemail.com Date: Sunday, November 14, 2010, 8:54 PM On Wed, 10 Nov 2010, patko wrote:
particulary Xi for flûte, http://james-ingram-act-two.de/stockhausen/Xi/sxia1l.html
I just noticed the parts in IPA (phonetic alphabet). [y] [ø] [œ]
First time I see those on a score. Interesting.
Also, how a composer would do when he need to build
his own scale, from empiric harmonic rules? Let me try to explain, music composition has evolved a certain way technically that one composer could build up a scale for each different piece he makes. How could he write scores that could be read by any genuine musician any time?
What's a genuine musician ?
genuine musician - a musician who is 100% leather non-linear form - music where the audience can scrub (and ultimately overwrite) moments of pretension and/or rigidity during the performance of a piece. organic harmony - harmony that a) has not had its motives genetically modified, b) contains no chemical pesticides, c) produces no sewage sludge, and d) has not been irradiated. emancipation of dissonance - making harmony free for future generations so they can devote their time to less pressing issues, like civil rights, women's suffrage and all that jazz...
-Jonathan