I use pd in this capacity as well http://www.myspace.com/masik420
we'll be at Dali Museum in St Pete,Fla. October 19th ________________________________________ From: pd-list-bounces@iem.at [pd-list-bounces@iem.at] On Behalf Of The Space Between the Words [info@thespacebetweenthewords.org] Sent: Wednesday, September 16, 2009 10:42 PM To: Marco Donnarumma Cc: pd-list@iem.at; ernst@pulsewidth.ca Subject: Re: [PD] Live processing of audio input
Very nice, Marco. Is any one else working in the space of live inst + pd in a noise, improv context?
Regards, Jerome
On Sep 13, 2009, at 7:05 AM, Marco Donnarumma <devel@thesaddj.commailto:devel@thesaddj.com> wrote:
Hi Jerome, i'm a free improviser using electric bass guitar, found/sound objects and C::NTR::L 1.2 a software developed in Pd with the help of the community. It recognizes which notes you play and trigger av fx with it.
You can check it here:
http://www.thesaddj.com/niave/downloads/http://www.thesaddj.com/niave/downloads/
or
http://puredata.info/Members/TheSADhttp://puredata.info/Members/TheSAD
Date: Sat, 12 Sep 2009 17:11:44 -0700 From: Jerome Covington <mailto:info@thespacebetweenthewords.orginfo@thespacebetweenthewords.orgmailto:info@thespacebetweenthewords.org> Subject: [PD] Live processing of audio input To: mailto:pd-list@iem.at pd-list@iem.atmailto:pd-list@iem.at Message-ID: <mailto:4cfec2ef0909121711o7eb3e8b2j6667cb8ac2532345@mail.gmail.com4cfec2ef0909121711o7eb3e8b2j6667cb8ac2532345@mail.gmail.commailto:4cfec2ef0909121711o7eb3e8b2j6667cb8ac2532345@mail.gmail.com> Content-Type: text/plain; charset=UTF-8
This will probably seem sufficiently vague for many, but hopefully one or two on the list has a patch they'd care to share.
I'm play with an experimental improv noise band, who I normally perform on a traditional elec gtr, amp set up with some fuzz and delay pedals and shape and manipulate feedback.
For our next round of rehearsals, gigs, I'd like to see what can be achieved gtr, laptop running pd.
I'm new to pd so it would be really helpful if any of you out there have worked in a similar arrangement and would like to share patches for processing similar types of audio input in a similar setting.
If there's any clarity I can provide, please ask!
-- Regards, Jerome Covington . . . . : . . . . : "define audio development"
-- Marco Donnarumma aka The !S.A.D!
Independent New Media Arts Professional, Performer - Roma, IT
LAB: http://www.thesaddj.com http://www.thesaddj.com | http://www.flxer.net http://www.flxer.net
EVENT: http://www.liveperformersmeeting.net http://www.liveperformersmeeting.net