frequency shifting and then pitch shifting by the same amount in hertz will compress or expand a spectrum around a particular frequency (which could or could not be the fundamental...)

J

On Fri, Apr 2, 2010 at 1:05 PM, Alexandre Porres <porres@gmail.com> wrote:
>I know I read the spectral mapping technique he uses,
>but I didn't really understand how it works.

me neither, guess he didn't really explained it wel...

cheers


2010/4/2 Charles Henry <czhenry@gmail.com>

There's a method of tuning partials that William Sethares uses in his
compositionss and he talks about it in his book Tuning Timbre Spectrum
Scale.

Specifically, he was also using inharmonic instruments which would be
arranged into consonant scales, and the similar problem of using
arbitrary scales with inharmonic spectra to fit with least dissonance.
 I know I read the spectral mapping technique he uses, but I didn't
really understand how it works.

On Fri, Apr 2, 2010 at 2:38 PM, Alexandre Porres <porres@gmail.com> wrote:
> Hi folks,
> I'd lke to distort a sound spectrum by transposing partials the way I want.
> Like making the spectrum more inharmonic or harmonic.
> Anyone done something similar?
> What kind of processing should I use?
> I was thinking that maybe a Phase Vocoder, where you could control the
> frequency separately, huh!?!? Anyone did this by the way?
> thanks a lot
> Alex
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