The conterpoint is generated by the superposition of cloned voices on different degree of its own scale and by the rhythm generator (with continuous unregular delays). Each voice is independent and there is no a global form to shape the clone choir.
Scalisator each clone takes a position on its own scale degree (each clone has its own scale made with Scala as .scl file) - by the way how could I include .scl files to pd? - to create unheard chords. Each clone change its pitch by slow glissando. The duration of the fixed pitch and the glissando is controled by the rhythm generator. In this case the delays-rhythms-generator should be before the pitch bend: the glissandi generator. Thanks to ask, I will think about it mathius
http://centrebombe.org/test-aimant.vox-clona.schematic.html
--- Charles Henry czhenry@gmail.com wrote:
The schematic of VOX CLONA (in attachment) gives you a precise purpose of what I would like to generate: one live voice (mine) generating an independant choir of 13 voices with its
independent
contrepoint projected in 3D sound space.
What's your concept for the counterpoint like? A canon is pretty easy to realize as a form for "cloned" voices. Do the other voices need to have some transformation applied to make independent melodies?
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