This is coming up on my first year
as a PD hacker.

One thing I am really digging about PD is that after 1 year,
I feel I have a basic grasp of about 20% of the PD objects

(i think I am including extended here)

and maybe 60% of the paradigm.

Even with this limited subset,
I can build pretty much anything I want!

I have a collection of abstractions for LFOs, Multi-waveform oscillators,
sample-loopers, basic effects, reverb and delay, sequencers, ADSR,
basic LP, BP, and HP filters, etc. Ring Modulation, I have little modules
that deal MIDI, etc.

Here's my observation

Each time when I want to make music,
I find myself building a custom instrument.

So the music I make with it seems fresh and different each time.

I make music that surprises me!

Because--
I am not sitting down with any per-conceived ideas
of how to interact with the instrument.
...because it's something brand new every time!
I don't know what it does exactly,

So every session with it becomes an exploration

of the instrument, and an exploration with sounds.

Sometimes something which initially seems
like a bug with the interface,
turns out to be a creative opportunity.

(like the way a slider with a very large range
will jump around to certain discrete points.)

And you think "I wish that would move more fluidly.
I wish this controller had more resolution (etc)".

But because of this "bug",
I've discovered micro-tonal scales.

I first noticed this with Martin Neimoller's Chaos Monster,

these strange but wonderful microtonal scales.

It's really the secret to recreating the music of
India, Iran, the middle east, and also far east.

I think Pure Data has, in a way,

set my soul free...

--