Roman,
//---------- //----- Mail Original ----- //De: "Roman Haefeli" reduzierer@yahoo.de //À: "colet patrice" colet.patrice@free.fr //Cc: "Mathieu Bouchard" matju@artengine.ca, "pd-list" pd-list@iem.at //Envoyé: Samedi 17 Avril 2010 00h14:24 GMT +01:00 Amsterdam / Berlin / Berne / Rome / Stockholm / Vienne //Objet: Re: [PD] nusmuk_audio WAS: Max Smoother Audio than Pd?
//A djembé drummer says: "You cannot make dance music alone, you need //other drummers as well". Patko says: "Making dance music requires //advanced technologies". Roman says: "Where is the sine? I cannot dance //without an [osc~ =<20]".
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I'd say we won't dance without also trigging [osc~ 71]
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Not to say that an instrument would sound better if there is a background image or such, but the way we are accessing data and modulate them has a severe influence on inspiration.
At the end the best compromise I've found is like obiwannabe's work, where the patch is the piece.
//I guess I'm missing your point here. How does that relate to what you //said above?
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I say that because I and others tried to build some kinds of tools to group all the tools made with pd, the only one I know that work is netpd, and wasn't satisfied of the result of a ton of work, because there is always something missing, but with grouping everything in a patch, it's possible to combine all the necessary stuff needed by inspirations coming from different cultural influences.