Totally agree with you.
A nice illustration of the importance of the context : One of the students in my school is from Kinshasa. He was in my office one day and i asked him if he knew Konono N°1. He said yes, i know them, they play a very traditional kind of music, they are invited to play at funerals. A few weeks later i told him that Konono was playing in Paris the next week-end. He looked surprized. He said there are dozens of other bands who play this kind of music in Congo.
The context always matters. We rarely invent anything at all.
Pierre
2011/6/23 Olivier Baudu lamouraupeuple@gmail.com
The fact that he created it on a sequencer in 97 and not on a drumkit in
1963 doesn't make any difference to me.
Ok, but could "beatjazz" be played in an other way than Onyx did ? If "beatjazz" can't be triggered pre-record patterns, it's pity (for me) that the audience think it is...
By the way, if Flim had been created in 63 it would make a big difference for me... The context of a creation matters, don't you think ?
Cheers...
01ivier
-- Envie de tisser ? http://yamatierea.org/papatchs/