On Tue, 19 Dec 2006, Patco wrote:
Mathieu Bouchard a écrit :
When the latency is changed, the musician has to retrain to a different compensation delay, and that's more tiresome than not having to retrain.
Seriously, it's not really a problem to have any amount of latency (even one million year) when there is a single musician.
If the musician can concentrate on the fingers rather than what is heard, fine (but that needs to be a good player).
However I'm not talking about that. I'm talking about a player trying to fit in a group, hopefully with one central sound output or at least sound outputs that are close to each other. The player has to keep always the same advance; he/she heard the previous notes from other player and needs to play something that will fit with what will be heard from those people at the time in the future when it'll be played.
_ _ __ ___ _____ ________ _____________ _____________________ ... | Mathieu Bouchard - tél:+1.514.383.3801 - http://artengine.ca/matju | Freelance Digital Arts Engineer, Montréal QC Canada