Great!
Thanks for all the help and quick responses everyone! I'll be sure to take a look at all the suggestions when I get home later tonight!
BTW. A little OT but I was wondering if anyone has has any luck with tracking electric-bass guitar (I have '78 Fender P) with fiddle to midi. I understand that it is a difficult to track low frequencies. This is OK because latency isn't too much of a problem (to trigger video) - but in any case it would be nice have an optimization strategy to get the best possible results. I have a couple of max patches that I have used on occasion to track guitar (to a PAIA Fatman) but I was just wondering what the list has come up with in terms of "bass" and optimizing fiddle for bass.
I'm sorry if this topic has been covered before. Again I searched the list and web with mixed results.....
Thanks again.
Mark
Frank Barknecht <fbar@footils.org> wrote:
Hallo,
IOhannes m zmoelnig hat gesagt: // IOhannes m zmoelnig wrote:
> you have to do this by hand.
> e.g.
>
> [nbx\
> |
> [select 69 70 ...]
> | |
> [A( [A#( ...
> | |
> +-----+--- ...
> |
> [symbol]
> |
> [sbx\
or e.g. see attached.
Ciao
--
Frank Barknecht _ ______footils.org_ __goto10.org__
#N canvas 368 215 370 352 10;
#X obj 94 160 until;
#X msg 147 159 rewind;
#X obj 57 245 symbol;
#X obj 57 129 t b f b;
#X obj 94 200 textfile;
#X obj 57 271 outlet;
#X msg 201 157 read midi.txt cr;
#X obj 201 130 loadbang;
#X obj 59 41 inlet;
#X obj 94 224 symbol;
#X obj 59 90 mod 12;
#X obj 116 92 div 12;
#X obj 116 116 outlet;
#X obj 59 67 t a a;
#X obj 58 109 + 1;
#X connect 0 0 4 0;
#X connect 1 0 4 0;
#X connect 2 0 5 0;
#X connect 3 0 2 0;
#X connect 3 1 0 0;
#X connect 3 2 1 0;
#X connect 4 0 9 0;
#X connect 6 0 4 0;
#X connect 7 0 6 0;
#X connect 8 0 13 0;
#X connect 9 0 2 1;
#X connect 10 0 14 0;
#X connect 11 0 12 0;
#X connect 13 0 10 0;
#X connect 13 1 11 0;
#X connect 14 0 3 0;
#N canvas 227 292 450 300 10;
#X floatatom 173 96 5 0 0 0 - - -;
#X symbolatom 173 166 10 0 0 0 note-name - -;
#X obj 173 140 note-to-name;
#X floatatom 252 166 5 0 0 1 octave - -;
#X connect 0 0 2 0;
#X connect 2 0 1 0;
#X connect 2 1 3 0;
C
C#/Db
D
D#/Eb
E
F
F#/Gb
G
G#/Ab
A
A#/Bb
B
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