Here's an abstraction I call rampdown~ - any time you want you can bang the
second inlet (control) and simultaneously cut off (brutally zero out) the
left (audio) inlet, as if you were stealing a voice that was actively
playing.  I use this quite a bit for monophonic voice stealing, as when you
want to repeatedly trigger a monophonic sampler.

#N canvas 105 474 450 300 10;
#X obj 64 68 inlet~;
#X obj 63 205 +~;
#X obj 64 255 outlet~;
#X obj 79 169 line~;
#X obj 183 86 inlet;
#X obj 183 190 snapshot~;
#X msg 79 141 \$1 \, 0 100;
#X obj 183 109 b;
#X connect 0 0 1 0;
#X connect 1 0 2 0;
#X connect 1 0 5 0;
#X connect 3 0 1 1;
#X connect 4 0 7 0;
#X connect 5 0 6 0;
#X connect 6 0 3 0;
#X connect 7 0 5 0;

cheers
Miller

On Thu, Jul 23, 2020 at 09:47:54AM +0200, Maximiliano Estudies wrote:
> Hello list,
>
> I'm working through "The theory and technique of electronic music" for the
> second time and having some trouble implementing the switch-and-ramp
> technique described in 4.3.2. I understand the concept but my current
> implementation clicks harshly when I retrigger the envelope.
>
> Does anybody have an implementation I could look at?
>
> --
> Maximiliano Estudies
> *VDT Referat Beschallung*
> +49 176 36784771
> omslo.com
> maxiestudies.com

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