Frank Barknecht wrote:
I also like the delay based total destroytion of rrad.erosion~.pd
It works by writing the incoming signal into a vd~-delayline, and then modulating the delay time with bandpass filtered noise~ or sine waves.
Another fun delay trick is using the comb-filter/karplus-strong/pluck model. Make a few of them, and set them somewhere between where you get a "plucked" frequency and where it turns into a distinct echo, and try different intervals between the timing of each, such as setting them to octaves or setting one only a few Hz off of another for a great "detuned" effect. Something like a sustained, overdriven guitar sound comes out. No guitar needed, as Josh Steiner mentioned replying to Orm Finnendahl's "karplus strong" thread.
d.