I studied the solution to what you were trying to achieve and I understand it now. I also missed the context of your earlier post explaining that you
wanted a single fader to shift between several sources, sorry.
Kyle, here's the patch again, or for anyone else who wants a play.
cheers,
Andy




 
Hi Andy~
 
Did I miss this post?  I'd like to take a gander at your useage of wavecycles too!
 
~Kyle

 
On 12/28/06, Patco <megalegoland@yahoo.fr> wrote:
padawan12@obiwannabe.co.uk a écrit :
> Couldn't quite follow what you were doing there Pat.
I forgot to put the comments in my first commit,
so it make the patch hard to understand with all mistakes there was
inside...
>  Here's my take on
> a way of fading between two waveshapes stored in tables that might
> help.
What I am looking for is a little bit more complicated because it's
about fading between more than two waveshapes,
but the principle is the same.
>  It isn't very well commented but in a few words:
>
Neat composition!
I finally enjoy my mistakes,
which has driven my hears to listen to this piece.
> there's two tables, the crossfader exchanges back and forth between
> the two, each one is written randomly with a wavecycle (a random set
> of values times a curve to smooth the ends) when it has zero volume
> - so we get a continuously morphing pad sound.
>
>
>
This is a way very interesting to study, for generating waves, very
astonishing.
I was planning to do something similar in some uncertain future, but
filling tables with voice formants.
PC.





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