|   | Hi Andy~ 
  
Did I miss this post?  I'd like to take a gander at your useage of wavecycles too! 
  
~Kyle
    
On 12/28/06, Patco <megalegoland@yahoo.fr> wrote:
padawan12@obiwannabe.co.uk a écrit : > Couldn't quite follow what you were doing there Pat.
 I forgot to put the comments in my first commit, so it make the patch hard to understand with all mistakes there was inside... >  Here's my take on > a way of fading between two waveshapes stored in tables that might
 > help. What I am looking for is a little bit more complicated because it's about fading between more than two waveshapes, but the principle is the same. >  It isn't very well commented but in a few words:
 > Neat composition! I finally enjoy my mistakes, which has driven my hears to listen to this piece. > there's two tables, the crossfader exchanges back and forth between > the two, each one is written randomly with a wavecycle (a random set
 > of values times a curve to smooth the ends) when it has zero volume > - so we get a continuously morphing pad sound. > > > This is a way very interesting to study, for generating waves, very
 astonishing. I was planning to do something similar in some uncertain future, but filling tables with voice formants. PC.
 
 
 
 
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