Sweet info. Nice to learn a tad more on how limiters work on the back end.<br><br>~Kyle<br><br><div class="gmail_quote">On Tue, Dec 16, 2008 at 6:04 AM, IOhannes m zmoelnig <span dir="ltr">&lt;<a href="mailto:zmoelnig@iem.at">zmoelnig@iem.at</a>&gt;</span> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Thomas Mayer wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi,<br>
</blockquote>
<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
| &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; \<br>
[limiter~] &nbsp; &nbsp; &nbsp;[z~ 64]<br>
| &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; /<br>
</blockquote>
<br>
and for those who are wondering: the [z~ 64] is there to compensate for the delay that is built into [limiter~].<br>
[limiter~] does a bit of upsampling which requires a delay, so the gain-signal is a bit late.<br>
the precise amount is 9 samples (iirc), but might as well be dynamic (depending on the buffer-size you give). &quot;64&quot; samples is just a bit longer so clicks should be masked by psychoacoustic effects.<br>
<br>
fgmasdr<br><font color="#888888">
IOhannes<br>
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