Update of /cvsroot/pure-data/abstractions/rradical/doc In directory sc8-pr-cvs1.sourceforge.net:/tmp/cvs-serv20548/doc
Modified Files: rradicalpd.html rradicalpd.pdf rradicalpd.rst rradicalpd.tex Log Message:
some new, some changed.
Index: rradicalpd.html =================================================================== RCS file: /cvsroot/pure-data/abstractions/rradical/doc/rradicalpd.html,v retrieving revision 1.2 retrieving revision 1.3 diff -C2 -d -r1.2 -r1.3 *** rradicalpd.html 26 Jun 2004 12:19:43 -0000 1.2 --- rradicalpd.html 9 Oct 2004 15:09:47 -0000 1.3 *************** *** 29,33 **** the design of this system, a way to save state flexibly in Pd (persistence) had to be developed. For communication among each other ! the RRADical patches integrates the Open Sound Control protocol.</p> </div> <div class="section" id="what-it-takes-to-be-a-rradical"> --- 29,33 ---- the design of this system, a way to save state flexibly in Pd (persistence) had to be developed. For communication among each other ! the RRADical patches integrate the Open Sound Control protocol.</p> </div> <div class="section" id="what-it-takes-to-be-a-rradical"> *************** *** 57,61 **** Pd the cutoff slider even can be made visible when using that abstraction in another patch. The new filter abstraction now carries its own GUI and is ! immediatly ready to be used.</p> <p>Of course the GUI-filter is a rather simple example (although already quite useful). But building a graphical note sequencer with 32 sliders and 32 --- 57,61 ---- Pd the cutoff slider even can be made visible when using that abstraction in another patch. The new filter abstraction now carries its own GUI and is ! immediately ready to be used.</p> <p>Of course the GUI-filter is a rather simple example (although already quite useful). But building a graphical note sequencer with 32 sliders and 32 *************** *** 91,99 **** appearance, they are not saved as part of the file which specifies the patch and will be forgotten when the patch is reloaded.</blockquote> - <p>(I'll show an example of a float object changing "state" by a message in - its right inlet here.)</p> <p>Still, in a musician's practice some kind of persistence turns out to be an ! important feature, that many Pd beginners do miss. And as soon as patched ! start to use lots of graphical control objects, users will - and should - play around with different settings until they find some combination they like. But unless a way to save this combination for later use is found, all --- 91,97 ---- appearance, they are not saved as part of the file which specifies the patch and will be forgotten when the patch is reloaded.</blockquote> <p>Still, in a musician's practice some kind of persistence turns out to be an ! important feature, that many Pd beginners do miss. And as soon as a patch ! starts to use lots of graphical control objects, users will - and should - play around with different settings until they find some combination they like. But unless a way to save this combination for later use is found, all *************** *** 199,204 **** A man, suffering from short-term memory loss, uses notes and tattoos to hunt down his wife's killer.</blockquote> - <p>Here's a scene from "Memento":</p> - <p><img alt="memento.png" src="memento.png" /></p> <p>The movie's main character Leonard has a similar problem as Pd: he cannot remember things. To deal with his persistence problem, his inability to save --- 197,200 ---- *************** *** 254,258 **** user should not read or write the contents of <tt class="literal"><span class="pre">pool</span> <span class="pre">RRADICAL</span></tt> directly. The <tt class="literal"><span class="pre">originator</span></tt> patch also handles the border crossing through OSC ! messages by it's rightmost inlet. The patch accepts two mandatory arguments: The first on is the name under which this patch is to be stored inside the <tt class="literal"><span class="pre">pool</span></tt> data. Each <tt class="literal"><span class="pre">originator</span> <span class="pre">SomeName</span> <span class="pre">secondarg</span></tt> stores --- 250,254 ---- user should not read or write the contents of <tt class="literal"><span class="pre">pool</span> <span class="pre">RRADICAL</span></tt> directly. The <tt class="literal"><span class="pre">originator</span></tt> patch also handles the border crossing through OSC ! messages by its rightmost inlet. The patch accepts two mandatory arguments: The first on is the name under which this patch is to be stored inside the <tt class="literal"><span class="pre">pool</span></tt> data. Each <tt class="literal"><span class="pre">originator</span> <span class="pre">SomeName</span> <span class="pre">secondarg</span></tt> stores *************** *** 351,355 **** <p>I already developed a growing number of patches that follow the RRADical paradigm, among these are a complex pattern sequencer, some synths and ! effects and more. All those are available in the Pure data CVS, which currently lives at <a class="reference" href="http://pure-data.sourceforge.net">pure-data.sourceforge.net</a> in the directory "abstractions/rradical". --- 347,351 ---- <p>I already developed a growing number of patches that follow the RRADical paradigm, among these are a complex pattern sequencer, some synths and ! effects and more. All those are available in the Pure Data CVS, which currently lives at <a class="reference" href="http://pure-data.sourceforge.net">pure-data.sourceforge.net</a> in the directory "abstractions/rradical". *************** *** 370,374 **** possibility to prepare parts of a musical story in advance and to "design" those pieces. It was like being forced to write a book without having access ! to a sheet of paper (or a harddisk nowadays). This has change: having "paper" in great supply now has made it possible to "write" pieces of art, to "remember" what was good and what rather should not be repeated, to --- 366,370 ---- possibility to prepare parts of a musical story in advance and to "design" those pieces. It was like being forced to write a book without having access ! to a sheet of paper (or a harddisk nowadays). This has changed: having "paper" in great supply now has made it possible to "write" pieces of art, to "remember" what was good and what rather should not be repeated, to *************** *** 379,383 **** patches directly can be used by novices as they are created just like any other patch, but they already provide sound creation and GUI elements that ! the students can use immediatly to create more satisfactory sounds that the sine waves used as standard examples in basic Pd tutorials. With a grown proficiency the students later can dive into the internals of a RRADical --- 375,379 ---- patches directly can be used by novices as they are created just like any other patch, but they already provide sound creation and GUI elements that ! the students can use immediately to create more satisfactory sounds that the sine waves used as standard examples in basic Pd tutorials. With a grown proficiency the students later can dive into the internals of a RRADical
Index: rradicalpd.tex =================================================================== RCS file: /cvsroot/pure-data/abstractions/rradical/doc/rradicalpd.tex,v retrieving revision 1.2 retrieving revision 1.3 diff -C2 -d -r1.2 -r1.3 *** rradicalpd.tex 26 Jun 2004 12:19:45 -0000 1.2 --- rradicalpd.tex 9 Oct 2004 15:09:47 -0000 1.3 *************** *** 68,72 **** the design of this system, a way to save state flexibly in Pd (persistence) had to be developed. For communication among each other ! the RRADical patches integrates the Open Sound Control protocol.
--- 68,72 ---- the design of this system, a way to save state flexibly in Pd (persistence) had to be developed. For communication among each other ! the RRADical patches integrate the Open Sound Control protocol.
*************** *** 104,108 **** Pd the cutoff slider even can be made visible when using that abstraction in another patch. The new filter abstraction now carries its own GUI and is ! immediatly ready to be used.
Of course the GUI-filter is a rather simple example (although already quite --- 104,108 ---- Pd the cutoff slider even can be made visible when using that abstraction in another patch. The new filter abstraction now carries its own GUI and is ! immediately ready to be used.
Of course the GUI-filter is a rather simple example (although already quite *************** *** 166,175 **** \end{quote}
- (I'll show an example of a float object changing ``state'' by a message in - its right inlet here.) - Still, in a musician's practice some kind of persistence turns out to be an ! important feature, that many Pd beginners do miss. And as soon as patched ! start to use lots of graphical control objects, users will - and should - play around with different settings until they find some combination they like. But unless a way to save this combination for later use is found, all --- 166,172 ---- \end{quote}
Still, in a musician's practice some kind of persistence turns out to be an ! important feature, that many Pd beginners do miss. And as soon as a patch ! starts to use lots of graphical control objects, users will - and should - play around with different settings until they find some combination they like. But unless a way to save this combination for later use is found, all *************** *** 312,319 **** \end{quote}
- Here's a scene from ``Memento'': - - \includegraphics{memento.png} - The movie's main character Leonard has a similar problem as Pd: he cannot remember things. To deal with his persistence problem, his inability to save --- 309,312 ---- *************** *** 378,382 **** user should not read or write the contents of \texttt{pool RRADICAL} directly. The \texttt{originator} patch also handles the border crossing through OSC ! messages by it's rightmost inlet. The patch accepts two mandatory arguments: The first on is the name under which this patch is to be stored inside the \texttt{pool} data. Each \texttt{originator SomeName secondarg} stores --- 371,375 ---- user should not read or write the contents of \texttt{pool RRADICAL} directly. The \texttt{originator} patch also handles the border crossing through OSC ! messages by its rightmost inlet. The patch accepts two mandatory arguments: The first on is the name under which this patch is to be stored inside the \texttt{pool} data. Each \texttt{originator SomeName secondarg} stores *************** *** 511,515 **** I already developed a growing number of patches that follow the RRADical paradigm, among these are a complex pattern sequencer, some synths and ! effects and more. All those are available in the Pure data CVS, which currently lives at \href{http://pure-data.sourceforge.net%7D%7Bpure-data.sourceforge.net%7D in the directory ``abstractions/rradical''. --- 504,508 ---- I already developed a growing number of patches that follow the RRADical paradigm, among these are a complex pattern sequencer, some synths and ! effects and more. All those are available in the Pure Data CVS, which currently lives at \href{http://pure-data.sourceforge.net%7D%7Bpure-data.sourceforge.net%7D in the directory ``abstractions/rradical''. *************** *** 535,539 **** possibility to prepare parts of a musical story in advance and to ``design'' those pieces. It was like being forced to write a book without having access ! to a sheet of paper (or a harddisk nowadays). This has change: having ``paper'' in great supply now has made it possible to ``write'' pieces of art, to ``remember'' what was good and what rather should not be repeated, to --- 528,532 ---- possibility to prepare parts of a musical story in advance and to ``design'' those pieces. It was like being forced to write a book without having access ! to a sheet of paper (or a harddisk nowadays). This has changed: having ``paper'' in great supply now has made it possible to ``write'' pieces of art, to ``remember'' what was good and what rather should not be repeated, to *************** *** 545,549 **** patches directly can be used by novices as they are created just like any other patch, but they already provide sound creation and GUI elements that ! the students can use immediatly to create more satisfactory sounds that the sine waves used as standard examples in basic Pd tutorials. With a grown proficiency the students later can dive into the internals of a RRADical --- 538,542 ---- patches directly can be used by novices as they are created just like any other patch, but they already provide sound creation and GUI elements that ! the students can use immediately to create more satisfactory sounds that the sine waves used as standard examples in basic Pd tutorials. With a grown proficiency the students later can dive into the internals of a RRADical
Index: rradicalpd.rst =================================================================== RCS file: /cvsroot/pure-data/abstractions/rradical/doc/rradicalpd.rst,v retrieving revision 1.2 retrieving revision 1.3 diff -C2 -d -r1.2 -r1.3 *** rradicalpd.rst 26 Jun 2004 12:19:45 -0000 1.2 --- rradicalpd.rst 9 Oct 2004 15:09:47 -0000 1.3 *************** *** 13,17 **** the design of this system, a way to save state flexibly in Pd (persistence) had to be developed. For communication among each other ! the RRADical patches integrates the Open Sound Control protocol.
--- 13,17 ---- the design of this system, a way to save state flexibly in Pd (persistence) had to be developed. For communication among each other ! the RRADical patches integrate the Open Sound Control protocol.
*************** *** 45,49 **** Pd the cutoff slider even can be made visible when using that abstraction in another patch. The new filter abstraction now carries its own GUI and is ! immediatly ready to be used.
Of course the GUI-filter is a rather simple example (although already quite --- 45,49 ---- Pd the cutoff slider even can be made visible when using that abstraction in another patch. The new filter abstraction now carries its own GUI and is ! immediately ready to be used.
Of course the GUI-filter is a rather simple example (although already quite *************** *** 86,95 **** patch and will be forgotten when the patch is reloaded.
- (I'll show an example of a float object changing "state" by a message in - its right inlet here.) - Still, in a musician's practice some kind of persistence turns out to be an ! important feature, that many Pd beginners do miss. And as soon as patched ! start to use lots of graphical control objects, users will - and should - play around with different settings until they find some combination they like. But unless a way to save this combination for later use is found, all --- 86,92 ---- patch and will be forgotten when the patch is reloaded.
Still, in a musician's practice some kind of persistence turns out to be an ! important feature, that many Pd beginners do miss. And as soon as a patch ! starts to use lots of graphical control objects, users will - and should - play around with different settings until they find some combination they like. But unless a way to save this combination for later use is found, all *************** *** 212,218 **** hunt down his wife's killer.
- Here's a scene from "Memento": - - .. image:: memento.png
The movie's main character Leonard has a similar problem as Pd: he cannot --- 209,212 ---- *************** *** 273,277 **** user should not read or write the contents of ``pool RRADICAL`` directly. The ``originator`` patch also handles the border crossing through OSC ! messages by it's rightmost inlet. The patch accepts two mandatory arguments: The first on is the name under which this patch is to be stored inside the ``pool`` data. Each ``originator SomeName secondarg`` stores --- 267,271 ---- user should not read or write the contents of ``pool RRADICAL`` directly. The ``originator`` patch also handles the border crossing through OSC ! messages by its rightmost inlet. The patch accepts two mandatory arguments: The first on is the name under which this patch is to be stored inside the ``pool`` data. Each ``originator SomeName secondarg`` stores *************** *** 382,386 **** I already developed a growing number of patches that follow the RRADical paradigm, among these are a complex pattern sequencer, some synths and ! effects and more. All those are available in the Pure data CVS, which currently lives at pure-data.sourceforge.net_ in the directory "abstractions/rradical". --- 376,380 ---- I already developed a growing number of patches that follow the RRADical paradigm, among these are a complex pattern sequencer, some synths and ! effects and more. All those are available in the Pure Data CVS, which currently lives at pure-data.sourceforge.net_ in the directory "abstractions/rradical". *************** *** 404,408 **** possibility to prepare parts of a musical story in advance and to "design" those pieces. It was like being forced to write a book without having access ! to a sheet of paper (or a harddisk nowadays). This has change: having "paper" in great supply now has made it possible to "write" pieces of art, to "remember" what was good and what rather should not be repeated, to --- 398,402 ---- possibility to prepare parts of a musical story in advance and to "design" those pieces. It was like being forced to write a book without having access ! to a sheet of paper (or a harddisk nowadays). This has changed: having "paper" in great supply now has made it possible to "write" pieces of art, to "remember" what was good and what rather should not be repeated, to *************** *** 414,418 **** patches directly can be used by novices as they are created just like any other patch, but they already provide sound creation and GUI elements that ! the students can use immediatly to create more satisfactory sounds that the sine waves used as standard examples in basic Pd tutorials. With a grown proficiency the students later can dive into the internals of a RRADical --- 408,412 ---- patches directly can be used by novices as they are created just like any other patch, but they already provide sound creation and GUI elements that ! the students can use immediately to create more satisfactory sounds that the sine waves used as standard examples in basic Pd tutorials. With a grown proficiency the students later can dive into the internals of a RRADical
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